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Exploring Embodiment’s Role in Creativity with Live Artistic Performances

Exploring Embodiment’s Role in Creativity with Live Artistic Performances

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MORUZZI, Caterina, Laura Mariah HERMAN, 2022. Exploring Embodiment’s Role in Creativity with Live Artistic Performances. The Role of Embodiment in the Perception of Human & Artificial Creativity 2022. Bozen, Italy, Jun 27, 2022 - Jun 28, 2022. In: MORUZZI, Caterina, ed., Laura HERMAN, ed.. Proceedings of the Workshop on the Role of Embodiment in the Perception of Human & Human & Artificial Creativity (TREPHAC 2022) co-located with the 13th International Conference on Computational Creativity (ICCC 2022). Aachen:RWTH Aachen. ISSN 1613-0073

@inproceedings{Moruzzi2022Explo-59020, title={Exploring Embodiment’s Role in Creativity with Live Artistic Performances}, url={http://ceur-ws.org/Vol-3255/paper7.pdf}, year={2022}, number={3255}, issn={1613-0073}, address={Aachen}, publisher={RWTH Aachen}, series={CEUR Workshop Proceedings}, booktitle={Proceedings of the Workshop on the Role of Embodiment in the Perception of Human & Human & Artificial Creativity (TREPHAC 2022) co-located with the 13th International Conference on Computational Creativity (ICCC 2022)}, editor={Moruzzi, Caterina and Herman, Laura}, author={Moruzzi, Caterina and Herman, Laura Mariah} }

Herman, Laura Mariah 2022-11-03T13:19:37Z eng Moruzzi, Caterina Exploring Embodiment’s Role in Creativity with Live Artistic Performances 2022-11-03T13:19:37Z terms-of-use The paper engages with the role of embodiment in perceptions of creativity, by discussing the aims and motivations behind the workshop ‘The Role of Embodiment in the Perception of Human & Artificial Creativity’, organized by the authors in the context of the 13th International Conference on Computational Creativity, ICCC’22. This workshop pioneered a novel format for the Computational Creativity community in which artists are on hand to physically share and discuss their process with the research audience. We describe the structure of the workshop and the methodology followed in designing the audience survey conducted during the first day. Lastly, we argue for the relevance of more in-field studies aimed at testing the role played by the interaction with live artistic processes on evaluations of creativity. 2022 Moruzzi, Caterina Herman, Laura Mariah

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