@article{Moruzzi2022Every-56119,
  year={2022},
  doi={10.1093/aesthj/ayab003},
  title={Everyone Can Change a Musical Work},
  number={1},
  volume={62},
  issn={0007-0904},
  journal={The British Journal of Aesthetics},
  pages={1--13},
  author={Moruzzi, Caterina}
}

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    <dc:contributor>Moruzzi, Caterina</dc:contributor>
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    <dcterms:abstract xml:lang="eng">This paper explores how a new theory on the ontology of musical works, Musical Stage Theory, can address the problem of change in musical works. A natural consequence of the ontological framework of this theory is that musical works change intrinsically through a change in the sonic-structural properties of performances. From this a surprising consequence follows: everyone can change a musical work. Still, it seems that some changes matter more than others. The article offers a revisionary reply to this concern by arguing that normative change is not a change in the ontological nature of the work but rather in its authenticity conditions.</dcterms:abstract>
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