Hören und Tanzen : Das samāʿ als spirituelles Mittel und gesellschaftliches Kommunikationsmedium
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| Type of Publication: | Contribution to a collection |
| Publication status: | Published |
| Author: | Küçükhüseyin, Şevket |
| Year of publication: | 2018 |
| Published in: | Tanz in der Vormoderne / Knäble, Philip et al. (ed.). - Berlin : De Gruyter, 2018. - (Das Mittelalter ; 23,2). - pp. 358-382 |
| DOI (citable link): | https://dx.doi.org/10.1515/mial-2018-0019 |
| Summary: |
The following article looks briefly into the development of the spiritual practice of dance (samāʿ) in Islamic mysticism prior to the ritualization of the dervishes’ ‘dance’ with the early Mawlawiyya. Focusing on changes in the notion of ‘dance’ or physical motion as a consequence of contemplation and ecstasy, it also examines its quality as a means to obtain this state. This is preceded by some remarks on the terms ‘dance’ in Arabic, Persian and Turkish, and a brief discussion of the difficulties of research dealing with medieval dance, primarily in the Turkish context.
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| Subject (DDC): | 900 History |
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KÜÇÜKHÜSEYIN, Şevket, 2018. Hören und Tanzen : Das samāʿ als spirituelles Mittel und gesellschaftliches Kommunikationsmedium. In: KNÄBLE, Philip, ed. and others. Tanz in der Vormoderne. Berlin:De Gruyter, pp. 358-382. Available under: doi: 10.1515/mial-2018-0019
@incollection{Kucukhuseyin2018-11-06Horen-45448, title={Hören und Tanzen : Das samāʿ als spirituelles Mittel und gesellschaftliches Kommunikationsmedium}, year={2018}, doi={10.1515/mial-2018-0019}, number={23,2}, address={Berlin}, publisher={De Gruyter}, series={Das Mittelalter}, booktitle={Tanz in der Vormoderne}, pages={358--382}, editor={Knäble, Philip}, author={Küçükhüseyin, Şevket} }
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