Cave of Forgotten Dreams (Werner Herzog, 2010) oder : Zur Ko-Existenz (audio-)visueller Praktiken
Cave of Forgotten Dreams (Werner Herzog, 2010) oder : Zur Ko-Existenz (audio-)visueller Praktiken
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2016
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Die ästhetisch-narrativen Dimensionen des 3D-Films : neue Perspektiven der Stereoskopie / Spöhrer, Markus (ed.). - Wiesbaden : Springer, 2016. - pp. 181-194. - ISBN 978-3-658-09421-8
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This chapter deals with Werner Herzog’s documentary film Cave of Forgotten Dreams (2010), which was shot using 3D technology. However, Herzog does not use this technology as a means of spectacularisation or mere action. Rather, the focus is on the visualisation of the evolutionary transformations of the “hidden life” (Balazs 1952) of the nearly 350,000 years old Chauvet Cave in South France, manifest in the “little things” such as cave paintings, handprints, skeleton remains and crystal forms. In the stereoscopically generated stream of light flares, movements and transformations, the objects produce a new space-time. This new space-time’s cinematicity can best be described with Jean Epstein’s term photogénique, as a “network” of variable space-times.
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800 Literature, Rhetoric, Literary Science
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OCHSNER, Beate, 2016. Cave of Forgotten Dreams (Werner Herzog, 2010) oder : Zur Ko-Existenz (audio-)visueller Praktiken. In: SPÖHRER, Markus, ed.. Die ästhetisch-narrativen Dimensionen des 3D-Films : neue Perspektiven der Stereoskopie. Wiesbaden:Springer, pp. 181-194. ISBN 978-3-658-09421-8. Available under: doi: 10.1007/978-3-658-09422-5_12BibTex
@incollection{Ochsner2016Forgo-33916, year={2016}, doi={10.1007/978-3-658-09422-5_12}, title={Cave of Forgotten Dreams (Werner Herzog, 2010) oder : Zur Ko-Existenz (audio-)visueller Praktiken}, isbn={978-3-658-09421-8}, publisher={Springer}, address={Wiesbaden}, booktitle={Die ästhetisch-narrativen Dimensionen des 3D-Films : neue Perspektiven der Stereoskopie}, pages={181--194}, editor={Spöhrer, Markus}, author={Ochsner, Beate} }
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