Publikation:

Invisible cities : postcard writing in industrial cities (1956-1988)

Lade...
Vorschaubild

Dateien

Zu diesem Dokument gibt es keine Dateien.

Datum

2022

Autor:innen

Herausgeber:innen

Kontakt

ISSN der Zeitschrift

Electronic ISSN

ISBN

Bibliografische Daten

Verlag

Schriftenreihe

Auflagebezeichnung

URI (zitierfähiger Link)
ArXiv-ID

Internationale Patentnummer

Angaben zur Forschungsförderung

Projekt

Open Access-Veröffentlichung
Core Facility der Universität Konstanz

Gesperrt bis

Titel in einer weiteren Sprache

Publikationstyp
Zeitschriftenartikel
Publikationsstatus
Published

Erschienen in

Journal of Tourism and Cultural Change. Routledge, Taylor & Francis Group. 2022, 20(3), pp. 406-418. ISSN 1476-6825. eISSN 1747-7654. Available under: doi: 10.1080/14766825.2020.1849245

Zusammenfassung

Why would one send a postcard showing a department store or a housing estate? Did the people writing such postcards pay any attention to the image at all? Moreover, why did they send postcards from industrial cities in the first place? Using a sample of 64 postcards sent from four industrial cities, this paper analyses the messages sent via postcards in the decade following WWII. The overarching argument is that the postcards had a highly utilitarian function, different from cards sent as greetings during holidays, but at the same time linked to travel experiences. This use of postcards meant that the creators of the postcards had relative freedom in shaping the iconography of industrial cities across the continent.

Zusammenfassung in einer weiteren Sprache

Fachgebiet (DDC)
800 Literatur, Rhetorik, Literaturwissenschaft

Schlagwörter

Konferenz

Rezension
undefined / . - undefined, undefined

Forschungsvorhaben

Organisationseinheiten

Zeitschriftenheft

Zugehörige Datensätze in KOPS

Zitieren

ISO 690KISIEL, Piotr, 2022. Invisible cities : postcard writing in industrial cities (1956-1988). In: Journal of Tourism and Cultural Change. Routledge, Taylor & Francis Group. 2022, 20(3), pp. 406-418. ISSN 1476-6825. eISSN 1747-7654. Available under: doi: 10.1080/14766825.2020.1849245
BibTex
@article{Kisiel2022Invis-52266,
  year={2022},
  doi={10.1080/14766825.2020.1849245},
  title={Invisible cities : postcard writing in industrial cities (1956-1988)},
  number={3},
  volume={20},
  issn={1476-6825},
  journal={Journal of Tourism and Cultural Change},
  pages={406--418},
  author={Kisiel, Piotr}
}
RDF
<rdf:RDF
    xmlns:dcterms="http://purl.org/dc/terms/"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
    xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
    xmlns:bibo="http://purl.org/ontology/bibo/"
    xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#"
    xmlns:foaf="http://xmlns.com/foaf/0.1/"
    xmlns:void="http://rdfs.org/ns/void#"
    xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > 
  <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/52266">
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2021-01-04T13:02:38Z</dcterms:available>
    <dc:contributor>Kisiel, Piotr</dc:contributor>
    <foaf:homepage rdf:resource="http://localhost:8080/"/>
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/30"/>
    <dcterms:title>Invisible cities : postcard writing in industrial cities (1956-1988)</dcterms:title>
    <dc:creator>Kisiel, Piotr</dc:creator>
    <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2021-01-04T13:02:38Z</dc:date>
    <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/>
    <bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/52266"/>
    <dc:language>eng</dc:language>
    <dcterms:abstract xml:lang="eng">Why would one send a postcard showing a department store or a housing estate? Did the people writing such postcards pay any attention to the image at all? Moreover, why did they send postcards from industrial cities in the first place? Using a sample of 64 postcards sent from four industrial cities, this paper analyses the messages sent via postcards in the decade following WWII. The overarching argument is that the postcards had a highly utilitarian function, different from cards sent as greetings during holidays, but at the same time linked to travel experiences. This use of postcards meant that the creators of the postcards had relative freedom in shaping the iconography of industrial cities across the continent.</dcterms:abstract>
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/30"/>
    <dcterms:issued>2022</dcterms:issued>
  </rdf:Description>
</rdf:RDF>

Interner Vermerk

xmlui.Submission.submit.DescribeStep.inputForms.label.kops_note_fromSubmitter

Kontakt
URL der Originalveröffentl.

Prüfdatum der URL

Prüfungsdatum der Dissertation

Finanzierungsart

Kommentar zur Publikation

Allianzlizenz
Corresponding Authors der Uni Konstanz vorhanden
Internationale Co-Autor:innen
Universitätsbibliographie
Ja
Begutachtet
Unbekannt
Diese Publikation teilen