The Baroque formulation of consciousness - bridging the 'Unbridgeable Gap' through indicational representation
| dc.contributor.author | Dreher, Jochen | |
| dc.date.accessioned | 2011-03-23T09:27:52Z | deu |
| dc.date.available | 2011-03-23T09:27:52Z | deu |
| dc.date.issued | 2005 | deu |
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| dc.identifier.citation | First publ. in: Human Studies ; 28 (2005), 1. - pp. 87-94 | deu |
| dc.identifier.doi | 10.1007/s10746-005-3598-3 | |
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| dc.legacy.dateIssued | 2010 | deu |
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| dc.title | The Baroque formulation of consciousness - bridging the 'Unbridgeable Gap' through indicational representation | eng |
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title={The Baroque formulation of consciousness - bridging the 'Unbridgeable Gap' through indicational representation},
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issn={0163-8548},
journal={Human Studies},
pages={87--94},
author={Dreher, Jochen}
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| kops.citation.iso690 | DREHER, Jochen, 2005. The Baroque formulation of consciousness - bridging the 'Unbridgeable Gap' through indicational representation. In: Human Studies. 2005, 28(1), pp. 87-94. ISSN 0163-8548. eISSN 1572-851X. Available under: doi: 10.1007/s10746-005-3598-3 | eng |
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| reviewed.relation.isreviewof | Kersten, Fred: Galileo and the 'invention' of opera, a study in the phenomenology of consciousness. - Dordrecht : Kluwer, 1997. - (Contributions to Phenomenology ; 29) | deu |
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