Nationalism and the agency of musical performers in Serbia in the 1990s : A discussion with Dragana Mirković

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dc.contributor.authorArcher, Rory
dc.date.accessioned2020-03-31T07:20:49Z
dc.date.available2020-03-31T07:20:49Z
dc.date.issued2019eng
dc.description.abstractResearch on popular folk music in Serbia and other parts of former Yugoslavia in the 1990s has claimed close ties between performers and Serbian nationalism. Authors have pointed to symbolic links between singers and the regime of Slobodan Milošević and ultra-nationalist public figures. The most notorious example of connections between of folk music performers and Serbian nationalism was the 1995 marriage between popular singer Svetlana Veličković—Ceca—and paramilitary leader Željko Ražnatović—Arkan. This cemented the idea of a symbiotic relationship between pop-folk music and warmongering nationalism that aimed to foster an immoral value system. For example, Ivana Kronja writes that ‘This system of values aimed to establish the cult of crime and violence, war-profiteering, national-chauvinism and provincialism, together with the abandonment of morals, education, legality, and other civic values.’eng
dc.description.versionpublishedde
dc.identifier.ppn1693583860
dc.identifier.urihttps://kops.uni-konstanz.de/handle/123456789/49173
dc.language.isoengeng
dc.rightsterms-of-use
dc.rights.urihttps://rightsstatements.org/page/InC/1.0/
dc.subjectNationalism, Serbia, Popular Culture, Music
dc.subject.ddc900eng
dc.titleNationalism and the agency of musical performers in Serbia in the 1990s : A discussion with Dragana Mirkovićeng
dc.typeJOURNAL_ARTICLEde
dspace.entity.typePublication
kops.citation.bibtex
@article{Archer2019Natio-49173,
  year={2019},
  title={Nationalism and the agency of musical performers in Serbia in the 1990s : A discussion with Dragana Mirković},
  url={http://www.contemporarysee.org/en/archer},
  number={2},
  volume={6},
  journal={Contemporary Southeastern Europe},
  pages={13--21},
  author={Archer, Rory}
}
kops.citation.iso690ARCHER, Rory, 2019. Nationalism and the agency of musical performers in Serbia in the 1990s : A discussion with Dragana Mirković. In: Contemporary Southeastern Europe. University of Graz, Centre for Southeast European Studies. 2019, 6(2), pp. 13-21. eISSN 2310-3612deu
kops.citation.iso690ARCHER, Rory, 2019. Nationalism and the agency of musical performers in Serbia in the 1990s : A discussion with Dragana Mirković. In: Contemporary Southeastern Europe. University of Graz, Centre for Southeast European Studies. 2019, 6(2), pp. 13-21. eISSN 2310-3612eng
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kops.sourcefieldContemporary Southeastern Europe. University of Graz, Centre for Southeast European Studies. 2019, <b>6</b>(2), pp. 13-21. eISSN 2310-3612deu
kops.sourcefield.plainContemporary Southeastern Europe. University of Graz, Centre for Southeast European Studies. 2019, 6(2), pp. 13-21. eISSN 2310-3612deu
kops.sourcefield.plainContemporary Southeastern Europe. University of Graz, Centre for Southeast European Studies. 2019, 6(2), pp. 13-21. eISSN 2310-3612eng
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source.periodicalTitleContemporary Southeastern Europeeng
source.publisherUniversity of Graz, Centre for Southeast European Studieseng

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