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Between Expectation and Event : Media Studies Perspectives on Vigilance Using the Example of Kathryn Bigelow's Film 'Zero Dark Thirty'

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2018

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https://doi.org/10.19272/201811502007
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Open Access-Veröffentlichung

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Literatur-, Kunst- und Medienwissenschaften: Publikationen
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Published

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Storia della Storiografia. Fabrizio Serra Editore. 2018, 74(2), pp. 119-129. ISSN 0392-8926. Available under: doi: 10.19272/201811502007

Zusammenfassung

Kathryn Bigelow’s film Zero Dark Thirty, released in 2012, is the reference for five different readings with different theoretical focuses. Every reading of the film represents a different theoretical approach provided by a quite common media theory in order to conceptualize the idea of ‘vigilance.’ The article tries to bring together two scientific discourses which are usually separated and do not share a common ground : media theory and concepts of historiography. The concept of ‘vigilance’ allows investigation of how media theories may be considered a new perspective for historiographical issues.

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Fachgebiet (DDC)
791 öffentliche Darbietungen, Film, Rundfunk

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Information overload, facticity/fiction, terrorism, media

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undefined / . - undefined, undefined

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ISO 690STIEGLER, Bernd, 2018. Between Expectation and Event : Media Studies Perspectives on Vigilance Using the Example of Kathryn Bigelow's Film 'Zero Dark Thirty'. In: Storia della Storiografia. Fabrizio Serra Editore. 2018, 74(2), pp. 119-129. ISSN 0392-8926. Available under: doi: 10.19272/201811502007
BibTex
@article{Stiegler2018Betwe-59216,
  year={2018},
  doi={10.19272/201811502007},
  title={Between Expectation and Event : Media Studies Perspectives on Vigilance Using the Example of Kathryn Bigelow's Film 'Zero Dark Thirty'},
  number={2},
  volume={74},
  issn={0392-8926},
  journal={Storia della Storiografia},
  pages={119--129},
  author={Stiegler, Bernd}
}
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