Cinema and Conflict in Postcolonial Mozambique : Archival Images as Illustration and Evidence in Estas São as Armas (1978)

Kurzanzeige
dc.contributor.authorStock, Robert
dc.date.accessioned2016-07-07T14:29:33Z
dc.date.available2016-07-07T14:29:33Z
dc.date.issued2016-06-11eng
dc.description.abstractThe essay analyses Estas são as armas (1978), the first full-length documentary produced by the Instituto Nacional de Cinema (INC) in Mozambique. In a first step, the text provides background information regarding film productions in and about Mozambique as well as its historical frame considering both the colonial and postcolonial period. Then, the essay discusses the interplay between voice and image with regard to documentary films. The contextualization and theoretical reflection is followed by an in-depth study of Estas são as armas. By scrutinizing the different ways of dealing with archival material it becomes possible to reflect upon filmic memory politics and their relation to a historical master narrative developed by Frelimo as well as to shed light on the cultural dimensions of decolonization.eng
dc.description.versionpublishedeng
dc.identifier.doi10.1057/978-1-137-57520-3_5eng
dc.identifier.ppn473897369
dc.identifier.urihttps://kops.uni-konstanz.de/handle/123456789/34698
dc.language.isoengeng
dc.rightsterms-of-use
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dc.subjectMozambique, documentary film, post-conflict cinema, decolonisationeng
dc.subject.ddc800eng
dc.titleCinema and Conflict in Postcolonial Mozambique : Archival Images as Illustration and Evidence in Estas São as Armas (1978)eng
dc.typeINCOLLECTIONeng
dspace.entity.typePublication
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  publisher={Palgrave Macmillan UK},
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  booktitle={Mediations of Disruption in Post-Conflict Cinema},
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  author={Stock, Robert}
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kops.citation.iso690STOCK, Robert, 2016. Cinema and Conflict in Postcolonial Mozambique : Archival Images as Illustration and Evidence in Estas São as Armas (1978). In: MARTINS, Adriana, ed., Alexandra LOPES, ed., Mónica DIAS, ed.. Mediations of Disruption in Post-Conflict Cinema. London: Palgrave Macmillan UK, 2016, pp. 75-91. ISBN 978-1-137-57519-7. Available under: doi: 10.1057/978-1-137-57520-3_5deu
kops.citation.iso690STOCK, Robert, 2016. Cinema and Conflict in Postcolonial Mozambique : Archival Images as Illustration and Evidence in Estas São as Armas (1978). In: MARTINS, Adriana, ed., Alexandra LOPES, ed., Mónica DIAS, ed.. Mediations of Disruption in Post-Conflict Cinema. London: Palgrave Macmillan UK, 2016, pp. 75-91. ISBN 978-1-137-57519-7. Available under: doi: 10.1057/978-1-137-57520-3_5eng
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kops.sourcefieldMARTINS, Adriana, ed., Alexandra LOPES, ed., Mónica DIAS, ed.. <i>Mediations of Disruption in Post-Conflict Cinema</i>. London: Palgrave Macmillan UK, 2016, pp. 75-91. ISBN 978-1-137-57519-7. Available under: doi: 10.1057/978-1-137-57520-3_5deu
kops.sourcefield.plainMARTINS, Adriana, ed., Alexandra LOPES, ed., Mónica DIAS, ed.. Mediations of Disruption in Post-Conflict Cinema. London: Palgrave Macmillan UK, 2016, pp. 75-91. ISBN 978-1-137-57519-7. Available under: doi: 10.1057/978-1-137-57520-3_5deu
kops.sourcefield.plainMARTINS, Adriana, ed., Alexandra LOPES, ed., Mónica DIAS, ed.. Mediations of Disruption in Post-Conflict Cinema. London: Palgrave Macmillan UK, 2016, pp. 75-91. ISBN 978-1-137-57519-7. Available under: doi: 10.1057/978-1-137-57520-3_5eng
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source.contributor.editorMartins, Adriana
source.contributor.editorLopes, Alexandra
source.contributor.editorDias, Mónica
source.identifier.isbn978-1-137-57519-7eng
source.publisherPalgrave Macmillan UKeng
source.publisher.locationLondoneng
source.titleMediations of Disruption in Post-Conflict Cinemaeng

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