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Analogical Evidence and Shamanism in Archaeological Interpretation : South African and European Palaeolithic Rock Art

Analogical Evidence and Shamanism in Archaeological Interpretation : South African and European Palaeolithic Rock Art

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CRUZ BERROCAL, María, 2011. Analogical Evidence and Shamanism in Archaeological Interpretation : South African and European Palaeolithic Rock Art. In: Norwegian Archaeological Review. 44(1), pp. 1-20. ISSN 0029-3652. eISSN 1502-7678

@article{Cruz Berrocal2011Analo-28294, title={Analogical Evidence and Shamanism in Archaeological Interpretation : South African and European Palaeolithic Rock Art}, year={2011}, doi={10.1080/00293652.2011.572672}, number={1}, volume={44}, issn={0029-3652}, journal={Norwegian Archaeological Review}, pages={1--20}, author={Cruz Berrocal, María} }

<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:bibo="http://purl.org/ontology/bibo/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > <rdf:Description rdf:about="https://kops.uni-konstanz.de/rdf/resource/123456789/28294"> <dcterms:issued>2011</dcterms:issued> <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2014-07-10T14:51:20Z</dcterms:available> <dcterms:bibliographicCitation>Norwegian Archaeological Review ; 44 (2011), 1. - S. 1-20</dcterms:bibliographicCitation> <dcterms:abstract xml:lang="eng">Rock art studies have been strongly reliant on ethnography in recent decades. Since the 1970s, the (re)turn to ethnography has been considered short of a paradigmatic change, and it has indeed stirred a lot of theoretical discussion in the very under-theorized field of rock art research. The ethnographic turn has been mainly built around shamanism, very loosely defined here as the causal association that researchers establish between shamanic practices and rock art, and from which explanations have been sought. The application of this approach has changed through time, depending on 1) the archaeological context in which it was to be applied, 2) the use of additional sources of evidence (namely, neuropsychology), 3) the role of shamanism as a hypothesis or as an established fact. As a hypothesis it has been built on the basis of three different kinds of analogies: ethnographic, formal and uniformitarian. This paper addresses the shifting character of shamanism in South African and European Palaeolithic rock art studies, seeking to contribute at least in part to a broader reflection on the nature of analogical reasoning and its implications.</dcterms:abstract> <dc:contributor>Cruz Berrocal, María</dc:contributor> <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2014-07-10T14:51:20Z</dc:date> <dc:creator>Cruz Berrocal, María</dc:creator> <dc:language>eng</dc:language> <bibo:uri rdf:resource="http://kops.uni-konstanz.de/handle/123456789/28294"/> <dcterms:rights rdf:resource="http://nbn-resolving.org/urn:nbn:de:bsz:352-20140905103605204-4002607-1"/> <dc:rights>deposit-license</dc:rights> <dcterms:title>Analogical Evidence and Shamanism in Archaeological Interpretation : South African and European Palaeolithic Rock Art</dcterms:title> </rdf:Description> </rdf:RDF>

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