Uncertainty as a Creative Principle in Free Jazz Improvising


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FIGUEROA-DREHER, Silvana, 2012. Uncertainty as a Creative Principle in Free Jazz Improvising. In: Kunsttexte de : kritische Texte und Bilder zur Geschichte der Kunst(2). eISSN 1618-8101

@article{Figueroa-Dreher2012Uncer-26088, title={Uncertainty as a Creative Principle in Free Jazz Improvising}, year={2012}, number={2}, journal={Kunsttexte de : kritische Texte und Bilder zur Geschichte der Kunst}, author={Figueroa-Dreher, Silvana}, note={http://edoc.hu-berlin.de/kunsttexte/2012-2/figueroa-dreher-silvana-k.-2/PDF/figueroa-dreher.pdf

letzter Zugriff am 31.01.2014} }

<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:bibo="http://purl.org/ontology/bibo/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > <rdf:Description rdf:about="https://kops.uni-konstanz.de/rdf/resource/123456789/26088"> <dc:rights>deposit-license</dc:rights> <dcterms:issued>2012</dcterms:issued> <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2014-01-31T10:43:19Z</dc:date> <dcterms:rights rdf:resource="http://nbn-resolving.org/urn:nbn:de:bsz:352-20140905103605204-4002607-1"/> <dc:contributor>Figueroa-Dreher, Silvana</dc:contributor> <dc:creator>Figueroa-Dreher, Silvana</dc:creator> <dcterms:abstract xml:lang="eng">A significant part of the work of orchestras that interpret composed music is aimed at optimizing the coordination of activities between different musicians by means of time-consuming rehearsals, in order to reduce the degree of contingency of their performances to a minimum and thus to remain loyal to the musical composition, whose score has already been largely defined. However, in the case of free jazz we are confronted with a phenomenon, which counteracts this pursuit of certainty because it deliberately produces uncertainty, thereby stimulating the musicians’ artistic productivity. By looking at the example of free jazz improvisation, I wish to tie two central topics in sociology into the following reflections: the structure of human action and the mutual coordination of action. Using these topics I will analyze certain aspects with regard to the contingency within a specific type of human action – improvising – and with regard to the related interactions. These aspects have received little attention in the empirical research until now.</dcterms:abstract> <bibo:uri rdf:resource="http://kops.uni-konstanz.de/handle/123456789/26088"/> <dcterms:bibliographicCitation>Kunsttexte.de : kritische Texte und Bilder zur Geschichte der Kunst ; (2012), 2</dcterms:bibliographicCitation> <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2014-01-31T10:43:19Z</dcterms:available> <dc:language>eng</dc:language> <dcterms:title>Uncertainty as a Creative Principle in Free Jazz Improvising</dcterms:title> </rdf:Description> </rdf:RDF>

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