Music, Meaning, and Sociality : from the standpoint of a social phenomenologist

Thumbnail Image
Date
2014
Editors
Contact
Journal ISSN
Electronic ISSN
ISBN
Bibliographical data
Publisher
Series
URI (citable link)
ArXiv-ID
International patent number
Link to the license
EU project number
Project
Open Access publication
Collections
Restricted until
Title in another language
Research Projects
Organizational Units
Journal Issue
Publication type
Contribution to a collection
Publication status
Published in
The Interrelation of Phenomenology, Social Sciences and the Arts / Barber, Michael; Dreher, Jochen (ed.). - Cham : Springer International Publishing, 2014. - (Contributions to Phenomenology ; 69). - pp. 243-257. - ISBN 978-3-319-01389-3
Abstract
Starting from Alfred Schutz’s definition of music as a meaningful context, the paper discusses the social formation of musical meaning by implementing an ideal typification of composer, musician, and listener. The reflection of their interrelation discloses the significant difference between the reconstruction of musical meaning and its initial constitution, thereby hinting at the general border between sociological and philosophical analysis. Against this background the paper tries to complement Schutz’s thoughts on music as a social phenomenon by consulting the work of the German philosopher Helmuth Plessner.
Summary in another language
Subject (DDC)
300 Social Sciences, Sociology
Keywords
Conference
Review
undefined / . - undefined, undefined. - (undefined; undefined)
Cite This
ISO 690GÖTTLICH, Andreas, 2014. Music, Meaning, and Sociality : from the standpoint of a social phenomenologist. In: BARBER, Michael, ed., Jochen DREHER, ed.. The Interrelation of Phenomenology, Social Sciences and the Arts. Cham:Springer International Publishing, pp. 243-257. ISBN 978-3-319-01389-3. Available under: doi: 10.1007/978-3-319-01390-9_17
BibTex
@incollection{Gottlich2014Music-25697,
  year={2014},
  doi={10.1007/978-3-319-01390-9_17},
  title={Music, Meaning, and Sociality : from the standpoint of a social phenomenologist},
  number={69},
  isbn={978-3-319-01389-3},
  publisher={Springer International Publishing},
  address={Cham},
  series={Contributions to Phenomenology},
  booktitle={The Interrelation of Phenomenology, Social Sciences and the Arts},
  pages={243--257},
  editor={Barber, Michael and Dreher, Jochen},
  author={Göttlich, Andreas}
}
RDF
<rdf:RDF
    xmlns:dcterms="http://purl.org/dc/terms/"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
    xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
    xmlns:bibo="http://purl.org/ontology/bibo/"
    xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#"
    xmlns:foaf="http://xmlns.com/foaf/0.1/"
    xmlns:void="http://rdfs.org/ns/void#"
    xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > 
  <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/25697">
    <dcterms:bibliographicCitation>The Interrelation of Phenomenology, Social Sciences and the Arts / edited by Michael Barber, Jochen Dreher. - Cham : Springer, 2014. - S. 243–257. - ISBN 978-331-90139-0-9</dcterms:bibliographicCitation>
    <foaf:homepage rdf:resource="http://localhost:8080/"/>
    <bibo:uri rdf:resource="http://kops.uni-konstanz.de/handle/123456789/25697"/>
    <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2014-01-17T09:26:25Z</dcterms:available>
    <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2014-01-17T09:26:25Z</dc:date>
    <dcterms:title>Music, Meaning, and Sociality : from the standpoint of a social phenomenologist</dcterms:title>
    <dspace:hasBitstream rdf:resource="https://kops.uni-konstanz.de/bitstream/123456789/25697/2/Goettlich_256972.pdf"/>
    <dcterms:abstract xml:lang="eng">Starting from Alfred Schutz’s definition of music as a meaningful context, the paper discusses the social formation of musical meaning by implementing an ideal typification of composer, musician, and listener. The reflection of their interrelation discloses the significant difference between the reconstruction of musical meaning and its initial constitution, thereby hinting at the general border between sociological and philosophical analysis. Against this background the paper tries to complement Schutz’s thoughts on music as a social phenomenon by consulting the work of the German philosopher Helmuth Plessner.</dcterms:abstract>
    <dc:contributor>Göttlich, Andreas</dc:contributor>
    <dc:rights>terms-of-use</dc:rights>
    <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/>
    <dcterms:rights rdf:resource="https://rightsstatements.org/page/InC/1.0/"/>
    <dcterms:hasPart rdf:resource="https://kops.uni-konstanz.de/bitstream/123456789/25697/2/Goettlich_256972.pdf"/>
    <dc:creator>Göttlich, Andreas</dc:creator>
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/34"/>
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/34"/>
    <dc:language>eng</dc:language>
    <dcterms:issued>2014</dcterms:issued>
  </rdf:Description>
</rdf:RDF>
Internal note
xmlui.Submission.submit.DescribeStep.inputForms.label.kops_note_fromSubmitter
Contact
URL of original publication
Test date of URL
Examination date of dissertation
Method of financing
Comment on publication
Alliance license
Corresponding Authors der Uni Konstanz vorhanden
International Co-Authors
Bibliography of Konstanz
Yes
Refereed