Publikation: Framing the Romantic Artist : Goethe’s Torquato Tasso and James’s Roderick Hudson
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2018
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Anglia : Journal of English Philology. 2018, 136(4), pp. 687-704. ISSN 0340-5222. eISSN 1865-8938. Available under: doi: 10.1515/ang-2018-0068
Zusammenfassung
Johann Wolfgang Goethe’s Torquato Tasso (1790) and Henry James’s Roderick Hudson (1875) share not only a number of structural parallels but also an interest in the fate of the romantic artist in a regulated society. The article suggests Goethe’s play as a possible influence on James’s novel. After a brief outline of James’s relationship to Goethe and of the structural parallels between the texts, the article discusses the similarities of their stance on the romantic artist. Both texts contrast the protagonist’s classicist-idealist art with his broadly romantic personality, both remain ambivalent about the romantic conception of the poet-genius, and both take an analytical attitude toward their artist figures. On this poetological level, the article concludes, their portraits of a proto-Romantic and a late Romantic respectively form a revealing historical frame of the phenomenon of the Romantic artist.
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800 Literatur, Rhetorik, Literaturwissenschaft
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MÜLLER, Timo, 2018. Framing the Romantic Artist : Goethe’s Torquato Tasso and James’s Roderick Hudson. In: Anglia : Journal of English Philology. 2018, 136(4), pp. 687-704. ISSN 0340-5222. eISSN 1865-8938. Available under: doi: 10.1515/ang-2018-0068BibTex
@article{Muller2018-11-09Frami-45188,
year={2018},
doi={10.1515/ang-2018-0068},
title={Framing the Romantic Artist : Goethe’s Torquato Tasso and James’s Roderick Hudson},
number={4},
volume={136},
issn={0340-5222},
journal={Anglia : Journal of English Philology},
pages={687--704},
author={Müller, Timo}
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<dcterms:abstract xml:lang="eng">Johann Wolfgang Goethe’s Torquato Tasso (1790) and Henry James’s Roderick Hudson (1875) share not only a number of structural parallels but also an interest in the fate of the romantic artist in a regulated society. The article suggests Goethe’s play as a possible influence on James’s novel. After a brief outline of James’s relationship to Goethe and of the structural parallels between the texts, the article discusses the similarities of their stance on the romantic artist. Both texts contrast the protagonist’s classicist-idealist art with his broadly romantic personality, both remain ambivalent about the romantic conception of the poet-genius, and both take an analytical attitude toward their artist figures. On this poetological level, the article concludes, their portraits of a proto-Romantic and a late Romantic respectively form a revealing historical frame of the phenomenon of the Romantic artist.</dcterms:abstract>
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