Publikation: Introduction : Theorizing Shakespeare’s seriality
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The introduction discusses how reading Shakespeare for seriality means to look at repetitions as the creation of difference. It draws into focus serial structures within individual plays and between plays on the one hand, while, on the other, it allows for an enquiry into the many modes of serial adaptation, transformation and remediation of his plays in different medias and at different historical times. It explores serial reading as method that not only investigates a given series, but itself establishes series in acts of serialization that allow for reading series forwards as well as backwards and thus a mutual transformation of the respective parts. Introducing this collection’s division into sections that focus on reading, performing and televising Shakespeare’s plays, it discusses medium-specific forms of serialization from the early modern period to the 2020s.
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BRONFEN, Elisabeth, Christina WALD, 2025. Introduction : Theorizing Shakespeare’s seriality. In: BRONFEN, Elisabeth, Hrsg., Christina WALD, Hrsg.. Shakespeare and Seriality : Page, Stage, Screen. London: Bloomsbury, 2025, S. 1-16. The Arden Shakespeare. ISBN 978-1-350-43726-5. Verfügbar unter: doi: 10.5040/9781350437296.0006BibTex
@incollection{Bronfen2025Intro-72394, title={Introduction : Theorizing Shakespeare’s seriality}, year={2025}, doi={10.5040/9781350437296.0006}, isbn={978-1-350-43726-5}, address={London}, publisher={Bloomsbury}, series={The Arden Shakespeare}, booktitle={Shakespeare and Seriality : Page, Stage, Screen}, pages={1--16}, editor={Bronfen, Elisabeth and Wald, Christina}, author={Bronfen, Elisabeth and Wald, Christina} }
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