Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings
Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings
No Thumbnail Available
Files
There are no files associated with this item.
Date
2012
Authors
Editors
Journal ISSN
Electronic ISSN
ISBN
978-3-8376-1648-4
Bibliographical data
Publisher
Bielefeld: transcript
Series
Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien; 7
DOI (citable link)
International patent number
Link to the license
EU project number
Project
Open Access publication
Collections
Title in another language
Publication type
Collection
Publication status
Published
Published in
Abstract
This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body in analog and digital film, animation and video art. The volume includes classical case studies and essays devoted to acting history and acting and genres, but its particular emphasis is on introducing a wide range of groundbreaking theoretical approaches - from continental and analytic philosophy to new media theory and cognitivist research - all of which interrogate the fundamental conceptions of »act« and »actor« that underwrite both popular and academic notions of performance in moving image culture.
Summary in another language
Subject (DDC)
800 Literature, Rhetoric, Literary Science
Keywords
Conference
Review
undefined / . - undefined, undefined. - (undefined; undefined)
Cite This
ISO 690
STERNAGEL, Jörg, ed., Deborah LEVITT, ed., Dieter MERSCH, ed., 2012. Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. Bielefeld:transcript. ISBN 978-3-8376-1648-4. Available under: doi: 10.14361/transcript.9783839416488BibTex
@book{Sternagel2012Actin-51996, year={2012}, doi={10.14361/transcript.9783839416488}, isbn={978-3-8376-1648-4}, publisher={transcript}, address={Bielefeld}, series={Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien}, title={Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings}, number={7}, editor={Sternagel, Jörg and Levitt, Deborah and Mersch, Dieter} }
RDF
<rdf:RDF xmlns:dcterms="http://purl.org/dc/terms/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:bibo="http://purl.org/ontology/bibo/" xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:void="http://rdfs.org/ns/void#" xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/51996"> <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2020-12-01T13:57:19Z</dcterms:available> <dcterms:title>Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings</dcterms:title> <dc:publisher>Bielefeld</dc:publisher> <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/> <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2020-12-01T13:57:19Z</dc:date> <bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/51996"/> <dc:contributor>Levitt, Deborah</dc:contributor> <dc:language>eng</dc:language> <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/> <foaf:homepage rdf:resource="http://localhost:8080/"/> <dc:contributor>Mersch, Dieter</dc:contributor> <dc:rights>terms-of-use</dc:rights> <bibo:issn>978-3-8376-1648-4</bibo:issn> <dcterms:abstract xml:lang="eng">This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body in analog and digital film, animation and video art. The volume includes classical case studies and essays devoted to acting history and acting and genres, but its particular emphasis is on introducing a wide range of groundbreaking theoretical approaches - from continental and analytic philosophy to new media theory and cognitivist research - all of which interrogate the fundamental conceptions of »act« and »actor« that underwrite both popular and academic notions of performance in moving image culture.</dcterms:abstract> <dcterms:rights rdf:resource="https://rightsstatements.org/page/InC/1.0/"/> <dc:publisher>transcript</dc:publisher> <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/> <dcterms:issued>2012</dcterms:issued> <dc:contributor>Sternagel, Jörg</dc:contributor> </rdf:Description> </rdf:RDF>
Internal note
xmlui.Submission.submit.DescribeStep.inputForms.label.kops_note_fromSubmitter
Examination date of dissertation
Method of financing
Comment on publication
Alliance license
Corresponding Authors der Uni Konstanz vorhanden
International Co-Authors
Bibliography of Konstanz
No