Schwellentexte der Weltliteratur

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2002
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3-87940-773-8
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UVK Universitätsverlag Konstanz
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Schwellentexte der Weltliteratur aims at presenting outstanding texts of world literature, texts that mark thresholds in cultural history and reflect this change in their representations. The contributors examine cultural threshold phenomena in texts and their historical contexts, encompassing antiquity as well as the Middle Ages, Romanticism, and the modern and postmodern eras. Ranging from the Bible to Rushdie's Satanic Verses, the contributions provide in-depth analyses of the ways in which threshold texts write history. Examining these texts helps shed light on such fundamental matters as the relationship between literature and society, the mechanisms and functions of canon formation, and the connection between text and historical change. [publication in German]
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800 Literature, Rhetoric, Literary Science
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Key Texts of World Literature,Comparative Literature
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ISO 690NISCHIK, Reingard M., ed., Caroline ROSENTHAL, ed., 2002. Schwellentexte der Weltliteratur. UVK Universitätsverlag Konstanz. ISBN 3-87940-773-8
BibTex
@book{Nischik2002Schwe-14980,
  year={2002},
  isbn={3-87940-773-8},
  publisher={UVK Universitätsverlag Konstanz},
  title={Schwellentexte der Weltliteratur},
  editor={Nischik, Reingard M. and Rosenthal, Caroline},
  note={Extracts from Reviews: "Schwellentexte der Weltliteratur convincingly traces the central role of literary texts in the creation and understanding of cultural thresholds. As a ground-breaking and well written collection on the theme of the threshold it offers a broad overview of, and a discriminating introduction to its subject, as well as providing numerous fruitful pointers for future research. The editors have succeeded in this carefully produced book in presenting a history of the threshold in literary scholarship." – Barbara Röckl, Kritikon Litterarum}
}
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Extracts from Reviews: "Schwellentexte der Weltliteratur convincingly traces the central role of literary texts in the creation and understanding of cultural thresholds. As a ground-breaking and well written collection on the theme of the threshold it offers a broad overview of, and a discriminating introduction to its subject, as well as providing numerous fruitful pointers for future research. The editors have succeeded in this carefully produced book in presenting a history of the threshold in literary scholarship." – Barbara Röckl, Kritikon Litterarum
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