Publikation:

Poetry to Music : Gil Scott-Heron's Intermedial Performance Aesthetics

Vorschaubild

Dateien

Zu diesem Dokument gibt es keine Dateien.

Datum

2019

Autor:innen

Herausgeber:innen

Kontakt

ISSN der Zeitschrift

Electronic ISSN

ISBN

Bibliografische Daten

Verlag

Schriftenreihe

Auflagebezeichnung

URI (zitierfähiger Link)
DOI (zitierfähiger Link)
https://doi.org/10.1515/9783110594874-015
ArXiv-ID

Internationale Patentnummer

Angaben zur Forschungsförderung

Projekt

Open Access-Veröffentlichung

Sammlungen

Literatur-, Kunst- und Medienwissenschaften: Publikationen
Core Facility der Universität Konstanz

Gesperrt bis

Titel in einer weiteren Sprache

Publikationstyp
Beitrag zu einem Sammelband
Publikationsstatus
Published

Erschienen in

KERLER, David, ed., Timo MÜLLER, ed.. Poem Unlimited : New Perspectives on Poetry and Genre. Berlin: De Gruyter, 2019, pp. 227-238. Buchreihe der Anglia. 63. ISBN 978-3-11-059240-5. Available under: doi: 10.1515/9783110594874-015

Zusammenfassung

Widely regarded as one of the most innovative African American artists of the mid-twentieth century, Gil Scott-Heron has variously been described as a poet, a musician, a performance artist, and a rapper avant la lettre. Rather than describing his art in conventional categories, this essay stresses the productive tensions created by his transgression of genre and media boundaries. Through a contrastive reading of his records Small Talk at 125th and Lenox (1970) and Reflections (1981), it traces the development of his aesthetics from a poetic toward a musical emphasis but shows that both of these influences are present throughout his work. The aesthetics Scott-Heron developed, the essay argues, is more thoroughly intermedial than previous accounts suggest. Rather than combining various media into an organic whole, his intermedial aesthetics foregrounds the conflictive yet creative process of negotiating their influences.

Zusammenfassung in einer weiteren Sprache

Fachgebiet (DDC)
800 Literatur, Rhetorik, Literaturwissenschaft

Schlagwörter

Konferenz

Rezension
undefined / . - undefined, undefined

Forschungsvorhaben

Organisationseinheiten

Zeitschriftenheft

Zugehörige Datensätze in KOPS

Zitieren

ISO 690MÜLLER, Timo, 2019. Poetry to Music : Gil Scott-Heron's Intermedial Performance Aesthetics. In: KERLER, David, ed., Timo MÜLLER, ed.. Poem Unlimited : New Perspectives on Poetry and Genre. Berlin: De Gruyter, 2019, pp. 227-238. Buchreihe der Anglia. 63. ISBN 978-3-11-059240-5. Available under: doi: 10.1515/9783110594874-015
BibTex
@incollection{Muller2019-09-23Poetr-47232,
  year={2019},
  doi={10.1515/9783110594874-015},
  title={Poetry to Music : Gil Scott-Heron's Intermedial Performance Aesthetics},
  number={63},
  isbn={978-3-11-059240-5},
  publisher={De Gruyter},
  address={Berlin},
  series={Buchreihe der Anglia},
  booktitle={Poem Unlimited : New Perspectives on Poetry and Genre},
  pages={227--238},
  editor={Kerler, David and Müller, Timo},
  author={Müller, Timo}
}
RDF
<rdf:RDF
    xmlns:dcterms="http://purl.org/dc/terms/"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
    xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
    xmlns:bibo="http://purl.org/ontology/bibo/"
    xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#"
    xmlns:foaf="http://xmlns.com/foaf/0.1/"
    xmlns:void="http://rdfs.org/ns/void#"
    xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > 
  <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/47232">
    <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/>
    <foaf:homepage rdf:resource="http://localhost:8080/"/>
    <dc:contributor>Müller, Timo</dc:contributor>
    <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2019-10-15T12:53:07Z</dcterms:available>
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dcterms:issued>2019-09-23</dcterms:issued>
    <bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/47232"/>
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dc:creator>Müller, Timo</dc:creator>
    <dc:language>eng</dc:language>
    <dcterms:title>Poetry to Music : Gil Scott-Heron's Intermedial Performance Aesthetics</dcterms:title>
    <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2019-10-15T12:53:07Z</dc:date>
    <dcterms:abstract xml:lang="eng">Widely regarded as one of the most innovative African American artists of the mid-twentieth century, Gil Scott-Heron has variously been described as a poet, a musician, a performance artist, and a rapper avant la lettre. Rather than describing his art in conventional categories, this essay stresses the productive tensions created by his transgression of genre and media boundaries. Through a contrastive reading of his records Small Talk at 125th and Lenox (1970) and Reflections (1981), it traces the development of his aesthetics from a poetic toward a musical emphasis but shows that both of these influences are present throughout his work. The aesthetics Scott-Heron developed, the essay argues, is more thoroughly intermedial than previous accounts suggest. Rather than combining various media into an organic whole, his intermedial aesthetics foregrounds the conflictive yet creative process of negotiating their influences.</dcterms:abstract>
  </rdf:Description>
</rdf:RDF>

Interner Vermerk

xmlui.Submission.submit.DescribeStep.inputForms.label.kops_note_fromSubmitter

Kontakt
URL der Originalveröffentl.

Prüfdatum der URL

Prüfungsdatum der Dissertation

Finanzierungsart

Kommentar zur Publikation

Allianzlizenz
Corresponding Authors der Uni Konstanz vorhanden
Internationale Co-Autor:innen
Universitätsbibliographie
Ja
Begutachtet
Diese Publikation teilen