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"Grief’s Comforter, Joy’s Guardian, Good King Poppy!" : Opium and Victorian Poetry

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2020

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https://doi.org/10.1007/978-3-030-53598-8_3
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ROXBURGH, Natalie, ed., Jennifer S. HENKE, ed.. Psychopharmacology in British Literature and Culture, 1780–1900. Cham: Palgrave Macmillan, 2020, pp. 47-67. ISBN 978-3-030-53597-1. Available under: doi: 10.1007/978-3-030-53598-8_3

Zusammenfassung

Irmtraud Huber explores the association commonly made in the nineteenth century between poetry and opium, considering questions of form and content alongside references to the drug and imitation of its effects. The essay argues that Victorian poetry developed appreciative, though often deeply ambivalent, attitudes towards opium, in which the drug was not framed as the cause of poetry but its kin. With reference to the work of Alfred Tennyson as well as some less familiar poets (Francis Thompson, James Thomson and Robert Bulwer Lytton), Huber shows how the Victorians could conceive of poetry as a kind of opium and of opium as a kind of poetry.

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800 Literatur, Rhetorik, Literaturwissenschaft

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ISO 690HUBER, Irmtraud, 2020. "Grief’s Comforter, Joy’s Guardian, Good King Poppy!" : Opium and Victorian Poetry. In: ROXBURGH, Natalie, ed., Jennifer S. HENKE, ed.. Psychopharmacology in British Literature and Culture, 1780–1900. Cham: Palgrave Macmillan, 2020, pp. 47-67. ISBN 978-3-030-53597-1. Available under: doi: 10.1007/978-3-030-53598-8_3
BibTex
@incollection{Huber2020Grief-66219,
  year={2020},
  doi={10.1007/978-3-030-53598-8_3},
  title={"Grief’s Comforter, Joy’s Guardian, Good King Poppy!" : Opium and Victorian Poetry},
  isbn={978-3-030-53597-1},
  publisher={Palgrave Macmillan},
  address={Cham},
  booktitle={Psychopharmacology in British Literature and Culture, 1780–1900},
  pages={47--67},
  editor={Roxburgh, Natalie and Henke, Jennifer S.},
  author={Huber, Irmtraud}
}
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