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Entanglements : Transaction and Intra-action with the Devil in How to Hold Your Breath

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2021

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https://doi.org/10.1007/978-3-030-58486-3_11
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ARAGAY, Mireia, ed., Cristina DELGADO-GARCÍA, ed., Martin MIDDEKE, ed.. Affects in 21st-Century British Theatre : Exploring Feeling on Page and Stage. Cham: Palgrave Macmillan, 2021, pp. 217-237. ISBN 978-3-030-58485-6. Available under: doi: 10.1007/978-3-030-58486-3_11

Zusammenfassung

This chapter comprises a reading of Zinnie Harris’s 2015 play How to Hold Your Breath, focussing on its depiction of neoliberal self-development marketing and its portrayal of interpersonal relationships as transactions. This leads to a broader discussion of the politics of emotion and happiness as posited by Sara Ahmed, who examines happiness as an individual’s responsibility in the fashioning of a “portfolio life,” and of Karen Barad’s concepts of intra-action and agential realism in the context of the performance of ethics. Depicting humans as “mobile assets,” the play invites a discussion of how contemporary British theatre investigates the discourse of human capital in late capitalist self-improvement culture, where the responsibility for people’s well-being has been shifted away from society and towards the individual.

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800 Literatur, Rhetorik, Literaturwissenschaft

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ISO 690BOLL, Julia, 2021. Entanglements : Transaction and Intra-action with the Devil in How to Hold Your Breath. In: ARAGAY, Mireia, ed., Cristina DELGADO-GARCÍA, ed., Martin MIDDEKE, ed.. Affects in 21st-Century British Theatre : Exploring Feeling on Page and Stage. Cham: Palgrave Macmillan, 2021, pp. 217-237. ISBN 978-3-030-58485-6. Available under: doi: 10.1007/978-3-030-58486-3_11
BibTex
@incollection{Boll2021Entan-58903,
  year={2021},
  doi={10.1007/978-3-030-58486-3_11},
  title={Entanglements : Transaction and Intra-action with the Devil in How to Hold Your Breath},
  isbn={978-3-030-58485-6},
  publisher={Palgrave Macmillan},
  address={Cham},
  booktitle={Affects in 21st-Century British Theatre : Exploring Feeling on Page and Stage},
  pages={217--237},
  editor={Aragay, Mireia and Delgado-García, Cristina and Middeke, Martin},
  author={Boll, Julia}
}
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