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Pynchon's Wardrobe of Weirdness : The Style of Subversive Garments

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2019

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HERRMANN, Jasmin, ed. and others. Revisiting style in literary and cultural studies : interdisciplinary articulations. Berlin: Peter Lang, 2019, pp. 383-400. ISBN 978-3-631-78172-2

Zusammenfassung

While numerous works have been written on Thomas Pynchon’s style in terms of language and genre, there is none that addresses style in the sense of ‘fashion,’ and this is the gap this essay seeks to fill. In Pynchon’s novels, clothes are usually not part of characterization, yet when they are mentioned, they are often used to signify an association with a particular counterculture, and there is even the notion of the “subversive garment” in Pynchon that forces both the beholder and the wearer to fundamentally question reality itself. I thus argue that clothing in Pynchon’s novels in particularly significant instances subverts the ‘reality effect’ that is produced by references to clothing especially in realist or modernist fiction, while at the same time retaining its (now dubious) function of characterization.

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800 Literatur, Rhetorik, Literaturwissenschaft

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Pynchon, Thomas Pynchon, Gravity’s Rainbow, V., The Crying of Lot 49, Mason & Dixon, Against the Day, fashion in literature, clothing in literature, reality effect, postmodernism

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ISO 690PÖHLMANN, Sascha, 2019. Pynchon's Wardrobe of Weirdness : The Style of Subversive Garments. In: HERRMANN, Jasmin, ed. and others. Revisiting style in literary and cultural studies : interdisciplinary articulations. Berlin: Peter Lang, 2019, pp. 383-400. ISBN 978-3-631-78172-2
BibTex
@incollection{Pohlmann2019Pynch-53192,
  year={2019},
  title={Pynchon's Wardrobe of Weirdness : The Style of Subversive Garments},
  isbn={978-3-631-78172-2},
  publisher={Peter Lang},
  address={Berlin},
  booktitle={Revisiting style in literary and cultural studies : interdisciplinary articulations},
  pages={383--400},
  editor={Herrmann, Jasmin},
  author={Pöhlmann, Sascha}
}
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