Inside an actor's scrapbook : Heath Ledger's aesthetic practice of unbalancing

Sternagel, Jörg

Inside an actor's scrapbook : Heath Ledger's aesthetic practice of unbalancing

Dateien

Zu diesem Dokument gibt es keine Dateien.

Datum

2020

Autor:innen

Sternagel, Jörg

Sammlungen

Literatur-, Kunst- und Medienwissenschaften

Publikationstyp

Beitrag zu einem Sammelband

Publikationsstatus

Published

Erschienen in

MATHIJS, Ernest, ed., Jamie SEXTON, ed.. The Routledge Companion to Cult Cinema. London: Routledge, 2020, pp. 329-337. ISBN 978-1-138-95027-6

Zusammenfassung

In the process of his preparation, Heath Ledger compiles, cuts, sketches, writes, highlights, underlines and scribbles, emphasizes what he finds, (re-)discovers, imagines and remembers from other films, TV, magazines, comics and more. Ledger’s Joker chooses a “killer smile”, as Daniel Wallace remarks in his Visual History of the Clown Prince of Crime, while “[c]ritics praised Ledger’s portrayal of the Joker as a bringer of anarchy. The repertoire of Ledger is an open source of influences and inspiration. While the process of clowning, with the predecessors, the films and the graphic novels, develops to a process of gaming, toying with several possible modalities, the very instance of what Ledger achieves is the Joker as a bearer of confusion. Before the film, Ledger, the actor works up interests in the work, in his fellow-actors, in props and set designs, in the camera, to bring, at least in part, the Joker to life.

Fachgebiet (DDC)

800 Literatur, Rhetorik, Literaturwissenschaft

Zitieren

ISO 690

STERNAGEL, Jörg, 2020. Inside an actor's scrapbook : Heath Ledger's aesthetic practice of unbalancing. In: MATHIJS, Ernest, ed., Jamie SEXTON, ed.. The Routledge Companion to Cult Cinema. London: Routledge, 2020, pp. 329-337. ISBN 978-1-138-95027-6

BibTex

@incollection{Sternagel2020Insid-52323,
  year={2020},
  title={Inside an actor's scrapbook : Heath Ledger's aesthetic practice of unbalancing},
  isbn={978-1-138-95027-6},
  publisher={Routledge},
  address={London},
  booktitle={The Routledge Companion to Cult Cinema},
  pages={329--337},
  editor={Mathijs, Ernest and Sexton, Jamie},
  author={Sternagel, Jörg}
}

RDF

<rdf:RDF
    xmlns:dcterms="http://purl.org/dc/terms/"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
    xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
    xmlns:bibo="http://purl.org/ontology/bibo/"
    xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#"
    xmlns:foaf="http://xmlns.com/foaf/0.1/"
    xmlns:void="http://rdfs.org/ns/void#"
    xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > 
  <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/52323">
    <foaf:homepage rdf:resource="http://localhost:8080/"/>
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2021-01-08T12:27:27Z</dc:date>
    <dcterms:issued>2020</dcterms:issued>
    <dc:language>eng</dc:language>
    <dc:contributor>Sternagel, Jörg</dc:contributor>
    <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2021-01-08T12:27:27Z</dcterms:available>
    <dcterms:rights rdf:resource="https://rightsstatements.org/page/InC/1.0/"/>
    <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/>
    <dcterms:abstract xml:lang="eng">In the process of his preparation, Heath Ledger compiles, cuts, sketches, writes, highlights, underlines and scribbles, emphasizes what he finds, (re-)discovers, imagines and remembers from other films, TV, magazines, comics and more. Ledger’s Joker chooses a “killer smile”, as Daniel Wallace remarks in his Visual History of the Clown Prince of Crime, while “[c]ritics praised Ledger’s portrayal of the Joker as a bringer of anarchy. The repertoire of Ledger is an open source of influences and inspiration. While the process of clowning, with the predecessors, the films and the graphic novels, develops to a process of gaming, toying with several possible modalities, the very instance of what Ledger achieves is the Joker as a bearer of confusion. Before the film, Ledger, the actor works up interests in the work, in his fellow-actors, in props and set designs, in the camera, to bring, at least in part, the Joker to life.</dcterms:abstract>
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dc:creator>Sternagel, Jörg</dc:creator>
    <bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/52323"/>
    <dcterms:title>Inside an actor's scrapbook : Heath Ledger's aesthetic practice of unbalancing</dcterms:title>
    <dc:rights>terms-of-use</dc:rights>
  </rdf:Description>
</rdf:RDF>

Universitätsbibliographie

Ja