Publikation:

An Ontological Justification for Contextual Authenticity

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Moruzzi_2-1j60tz10w6ov87.pdf
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2019

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http://nbn-resolving.de/urn:nbn:de:bsz:352-2-1j60tz10w6ov87
DOI (zitierfähiger Link)
https://doi.org/10.1093/aesthj/ayz020
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CC BY 4.0

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Published

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The British Journal of Aesthetics. Oxford University Press (OUP). 2019, 59(4), pp. 413-427. ISSN 0007-0904. eISSN 1468-2842. Available under: doi: 10.1093/aesthj/ayz020

Zusammenfassung

In this paper I defend a contextualist interpretation of authenticity in musical performance: we judge a performance as authentic not in respect of a stable set of requirements but according to contextually determined factors. This solution is the natural outcome of an independently supported ontological account of musical works: Musical Stage Theory. The aim of the paper is to give new momentum to the debate concerning the notion of authenticity and to challenge a monistic interpretation of authenticity: there is not one authenticity but many.

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100 Philosophie

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ISO 690MORUZZI, Caterina, 2019. An Ontological Justification for Contextual Authenticity. In: The British Journal of Aesthetics. Oxford University Press (OUP). 2019, 59(4), pp. 413-427. ISSN 0007-0904. eISSN 1468-2842. Available under: doi: 10.1093/aesthj/ayz020
BibTex
@article{Moruzzi2019-12-21Ontol-52667,
  year={2019},
  doi={10.1093/aesthj/ayz020},
  title={An Ontological Justification for Contextual Authenticity},
  number={4},
  volume={59},
  issn={0007-0904},
  journal={The British Journal of Aesthetics},
  pages={413--427},
  author={Moruzzi, Caterina}
}
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