Everyone Can Change a Musical Work
| dc.contributor.author | Moruzzi, Caterina | |
| dc.date.accessioned | 2022-01-13T15:48:55Z | |
| dc.date.available | 2022-01-13T15:48:55Z | |
| dc.date.issued | 2022 | eng |
| dc.description.abstract | This paper explores how a new theory on the ontology of musical works, Musical Stage Theory, can address the problem of change in musical works. A natural consequence of the ontological framework of this theory is that musical works change intrinsically through a change in the sonic-structural properties of performances. From this a surprising consequence follows: everyone can change a musical work. Still, it seems that some changes matter more than others. The article offers a revisionary reply to this concern by arguing that normative change is not a change in the ontological nature of the work but rather in its authenticity conditions. | eng |
| dc.description.version | published | eng |
| dc.identifier.doi | 10.1093/aesthj/ayab003 | eng |
| dc.identifier.uri | https://kops.uni-konstanz.de/handle/123456789/56119 | |
| dc.language.iso | eng | eng |
| dc.rights | terms-of-use | |
| dc.rights.uri | https://rightsstatements.org/page/InC/1.0/ | |
| dc.subject.ddc | 100 | eng |
| dc.title | Everyone Can Change a Musical Work | eng |
| dc.type | JOURNAL_ARTICLE | eng |
| dspace.entity.type | Publication | |
| kops.citation.bibtex | @article{Moruzzi2022Every-56119,
year={2022},
doi={10.1093/aesthj/ayab003},
title={Everyone Can Change a Musical Work},
number={1},
volume={62},
issn={0007-0904},
journal={The British Journal of Aesthetics},
pages={1--13},
author={Moruzzi, Caterina}
} | |
| kops.citation.iso690 | MORUZZI, Caterina, 2022. Everyone Can Change a Musical Work. In: The British Journal of Aesthetics. Oxford University Press (OUP). 2022, 62(1), pp. 1-13. ISSN 0007-0904. eISSN 1468-2842. Available under: doi: 10.1093/aesthj/ayab003 | deu |
| kops.citation.iso690 | MORUZZI, Caterina, 2022. Everyone Can Change a Musical Work. In: The British Journal of Aesthetics. Oxford University Press (OUP). 2022, 62(1), pp. 1-13. ISSN 0007-0904. eISSN 1468-2842. Available under: doi: 10.1093/aesthj/ayab003 | eng |
| kops.citation.rdf | <rdf:RDF
xmlns:dcterms="http://purl.org/dc/terms/"
xmlns:dc="http://purl.org/dc/elements/1.1/"
xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
xmlns:bibo="http://purl.org/ontology/bibo/"
xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#"
xmlns:foaf="http://xmlns.com/foaf/0.1/"
xmlns:void="http://rdfs.org/ns/void#"
xmlns:xsd="http://www.w3.org/2001/XMLSchema#" >
<rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/56119">
<void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/>
<dc:contributor>Moruzzi, Caterina</dc:contributor>
<dcterms:issued>2022</dcterms:issued>
<dc:creator>Moruzzi, Caterina</dc:creator>
<dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/40"/>
<dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2022-01-13T15:48:55Z</dcterms:available>
<dcterms:abstract xml:lang="eng">This paper explores how a new theory on the ontology of musical works, Musical Stage Theory, can address the problem of change in musical works. A natural consequence of the ontological framework of this theory is that musical works change intrinsically through a change in the sonic-structural properties of performances. From this a surprising consequence follows: everyone can change a musical work. Still, it seems that some changes matter more than others. The article offers a revisionary reply to this concern by arguing that normative change is not a change in the ontological nature of the work but rather in its authenticity conditions.</dcterms:abstract>
<foaf:homepage rdf:resource="http://localhost:8080/"/>
<dcterms:rights rdf:resource="https://rightsstatements.org/page/InC/1.0/"/>
<dc:language>eng</dc:language>
<bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/56119"/>
<dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2022-01-13T15:48:55Z</dc:date>
<dc:rights>terms-of-use</dc:rights>
<dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/40"/>
<dcterms:title>Everyone Can Change a Musical Work</dcterms:title>
</rdf:Description>
</rdf:RDF> | |
| kops.flag.isPeerReviewed | true | eng |
| kops.flag.knbibliography | true | |
| kops.sourcefield | The British Journal of Aesthetics. Oxford University Press (OUP). 2022, <b>62</b>(1), pp. 1-13. ISSN 0007-0904. eISSN 1468-2842. Available under: doi: 10.1093/aesthj/ayab003 | deu |
| kops.sourcefield.plain | The British Journal of Aesthetics. Oxford University Press (OUP). 2022, 62(1), pp. 1-13. ISSN 0007-0904. eISSN 1468-2842. Available under: doi: 10.1093/aesthj/ayab003 | deu |
| kops.sourcefield.plain | The British Journal of Aesthetics. Oxford University Press (OUP). 2022, 62(1), pp. 1-13. ISSN 0007-0904. eISSN 1468-2842. Available under: doi: 10.1093/aesthj/ayab003 | eng |
| relation.isAuthorOfPublication | a21068e9-8343-4b5c-9bb4-0f9c72d1df36 | |
| relation.isAuthorOfPublication.latestForDiscovery | a21068e9-8343-4b5c-9bb4-0f9c72d1df36 | |
| source.bibliographicInfo.fromPage | 1 | |
| source.bibliographicInfo.issue | 1 | |
| source.bibliographicInfo.toPage | 13 | |
| source.bibliographicInfo.volume | 62 | |
| source.identifier.eissn | 1468-2842 | eng |
| source.identifier.issn | 0007-0904 | eng |
| source.periodicalTitle | The British Journal of Aesthetics | eng |
| source.publisher | Oxford University Press (OUP) | eng |