Is Hogarth's 'Line of Beauty' really the most beautiful? : An empirical answer after more than 250 years
Is Hogarth's 'Line of Beauty' really the most beautiful? : An empirical answer after more than 250 years
Loading...
Date
2022
Authors
Editors
Journal ISSN
Electronic ISSN
ISBN
Bibliographical data
Publisher
Series
URI (citable link)
DOI (citable link)
International patent number
Link to the license
EU project number
Project
Open Access publication
Collections
Title in another language
Publication type
Journal article
Publication status
Published
Published in
i-Perception ; 13 (2022), 2. - Sage Publishing. - eISSN 2041-6695
Abstract
Since the Renaissance, different line types have been distinguished by artists and art theorists. However, it took another hundreds of years until the British artist William Hogarth attributed different degrees of beauty to them. Particularly, in his book "The Analysis of Beauty" (1753) he depicted seven waving lines, declared line number 4 as the most beautiful, and called it the "line of beauty". Until today, the line of beauty has a persistently strong influence in many areas such as landscape art and design, calligraphy, furniture design, architecture, dance, etc. It is astonishing that Hogarth's assumptions have never been empirically tested. Therefore, we asked participants to rate Hogarth's lines by their beauty. As a result, line number 4 was indeed the most preferred, although number 5 was judged similarly. An analysis revealed that curvature was nonlinearly related to beauty and explains more than 90% of the variance in the mean aesthetic judgments.
Summary in another language
Subject (DDC)
150 Psychology
Keywords
line of beauty, curvature, William Hogarth, line aesthetics, serpentine
Conference
Review
undefined / . - undefined, undefined. - (undefined; undefined)
Cite This
ISO 690
HÜBNER, Ronald, Emily UFKEN, 2022. Is Hogarth's 'Line of Beauty' really the most beautiful? : An empirical answer after more than 250 years. In: i-Perception. Sage Publishing. 13(2). eISSN 2041-6695. Available under: doi: 10.1177/20416695221087738BibTex
@article{Hubner2022Hogar-57274, year={2022}, doi={10.1177/20416695221087738}, title={Is Hogarth's 'Line of Beauty' really the most beautiful? : An empirical answer after more than 250 years}, number={2}, volume={13}, journal={i-Perception}, author={Hübner, Ronald and Ufken, Emily} }
RDF
<rdf:RDF xmlns:dcterms="http://purl.org/dc/terms/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:bibo="http://purl.org/ontology/bibo/" xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:void="http://rdfs.org/ns/void#" xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/57274"> <foaf:homepage rdf:resource="http://localhost:8080/"/> <dcterms:rights rdf:resource="http://creativecommons.org/licenses/by/4.0/"/> <dc:language>eng</dc:language> <bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/57274"/> <dcterms:issued>2022</dcterms:issued> <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2022-04-14T09:31:50Z</dcterms:available> <dc:contributor>Hübner, Ronald</dc:contributor> <dc:creator>Ufken, Emily</dc:creator> <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2022-04-14T09:31:50Z</dc:date> <dspace:hasBitstream rdf:resource="https://kops.uni-konstanz.de/bitstream/123456789/57274/1/Huebner_2-1ucbeleh41o3t3.pdf"/> <dc:creator>Hübner, Ronald</dc:creator> <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/> <dcterms:abstract xml:lang="eng">Since the Renaissance, different line types have been distinguished by artists and art theorists. However, it took another hundreds of years until the British artist William Hogarth attributed different degrees of beauty to them. Particularly, in his book "The Analysis of Beauty" (1753) he depicted seven waving lines, declared line number 4 as the most beautiful, and called it the "line of beauty". Until today, the line of beauty has a persistently strong influence in many areas such as landscape art and design, calligraphy, furniture design, architecture, dance, etc. It is astonishing that Hogarth's assumptions have never been empirically tested. Therefore, we asked participants to rate Hogarth's lines by their beauty. As a result, line number 4 was indeed the most preferred, although number 5 was judged similarly. An analysis revealed that curvature was nonlinearly related to beauty and explains more than 90% of the variance in the mean aesthetic judgments.</dcterms:abstract> <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/43"/> <dc:contributor>Ufken, Emily</dc:contributor> <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/43"/> <dcterms:title>Is Hogarth's 'Line of Beauty' really the most beautiful? : An empirical answer after more than 250 years</dcterms:title> <dcterms:hasPart rdf:resource="https://kops.uni-konstanz.de/bitstream/123456789/57274/1/Huebner_2-1ucbeleh41o3t3.pdf"/> <dc:rights>Attribution 4.0 International</dc:rights> </rdf:Description> </rdf:RDF>
Internal note
xmlui.Submission.submit.DescribeStep.inputForms.label.kops_note_fromSubmitter
Examination date of dissertation
Method of financing
Comment on publication
Alliance license
Corresponding Authors der Uni Konstanz vorhanden
International Co-Authors
Bibliography of Konstanz
Yes
Refereed
Yes