Publikation: ‘And they dance’ : Queering Shakespeare through balletic seriality
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Understanding Shakespearean ballet as an encapsulation of the serial tension between repetition and variation, this chapter discusses the complex relationship between seriality and choreographic Shakespeare adaptations. What affordances does seriality offer for the analysis of Shakespearean ballet? And to what extent do serial discussions of Shakespearean ballet in return reveal new perspectives onto seriality as an adaptational concept? These theoretical questions are framed by a recent case study that self-reflectively interrogates its own serialized mediality: Benjamin Millepied’s staging of Prokofiev’s Romeo and Juliet at La Seine Musicale (2022). Through the use of cinematic techniques as well as racially and gender diverse casting, the production queered performative conventions in Shakespearean ballet and showcased that we can only ever engage with the iconic story through serialized imagery. This imagery highlights the seriality of desire and violence within the play and foregrounds the drama as a tragedy of seriality.
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KELLERMANN, Jonas, 2025. ‘And they dance’ : Queering Shakespeare through balletic seriality. In: BRONFEN, Elisabeth, Hrsg., Christina WALD, Hrsg.. Shakespeare and Seriality : Page, Stage, Screen. London: Bloomsbury, 2025, S. 149-168. The Arden Shakespeare. ISBN 978-1-350-43726-5. Verfügbar unter: doi: 10.5040/9781350437296.0015BibTex
@incollection{Kellermann2025dance-72397, title={‘And they dance’ : Queering Shakespeare through balletic seriality}, year={2025}, doi={10.5040/9781350437296.0015}, isbn={978-1-350-43726-5}, address={London}, publisher={Bloomsbury}, series={The Arden Shakespeare}, booktitle={Shakespeare and Seriality : Page, Stage, Screen}, pages={149--168}, editor={Bronfen, Elisabeth and Wald, Christina}, author={Kellermann, Jonas} }
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