Publikation: Music, Meaning, and Sociality : from the standpoint of a social phenomenologist
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2014
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BARBER, Michael, ed., Jochen DREHER, ed.. The Interrelation of Phenomenology, Social Sciences and the Arts. Cham: Springer International Publishing, 2014, pp. 243-257. Contributions to Phenomenology. 69. ISBN 978-3-319-01389-3. Available under: doi: 10.1007/978-3-319-01390-9_17
Zusammenfassung
Starting from Alfred Schutz’s definition of music as a meaningful context, the paper discusses the social formation of musical meaning by implementing an ideal typification of composer, musician, and listener. The reflection of their interrelation discloses the significant difference between the reconstruction of musical meaning and its initial constitution, thereby hinting at the general border between sociological and philosophical analysis. Against this background the paper tries to complement Schutz’s thoughts on music as a social phenomenon by consulting the work of the German philosopher Helmuth Plessner.
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300 Sozialwissenschaften, Soziologie
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GÖTTLICH, Andreas, 2014. Music, Meaning, and Sociality : from the standpoint of a social phenomenologist. In: BARBER, Michael, ed., Jochen DREHER, ed.. The Interrelation of Phenomenology, Social Sciences and the Arts. Cham: Springer International Publishing, 2014, pp. 243-257. Contributions to Phenomenology. 69. ISBN 978-3-319-01389-3. Available under: doi: 10.1007/978-3-319-01390-9_17BibTex
@incollection{Gottlich2014Music-25697, year={2014}, doi={10.1007/978-3-319-01390-9_17}, title={Music, Meaning, and Sociality : from the standpoint of a social phenomenologist}, number={69}, isbn={978-3-319-01389-3}, publisher={Springer International Publishing}, address={Cham}, series={Contributions to Phenomenology}, booktitle={The Interrelation of Phenomenology, Social Sciences and the Arts}, pages={243--257}, editor={Barber, Michael and Dreher, Jochen}, author={Göttlich, Andreas} }
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