Publikation:

Vincent L. Stephens: Rocking the Closet : How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music [Rezension]

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2022

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Cultural History. Edinburgh University Press. 2022, 11(1), pp. 112-114. ISSN 2045-290X. eISSN 2045-2918. Available under: doi: 10.3366/cult.2022.0258

Zusammenfassung

The United States of the 1950s has, at least in reductive accounts of the period, often been cast as a place and time defined largely by social and cultural conservatism, emphasis on the nuclear family, sexual repression and other trappings of "squareness". Stephens defines this "Queer Quartet" by focusing mostly on each artist's unconventional gender presentation rather than their romantic and sexual interests.

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800 Literatur, Rhetorik, Literaturwissenschaft

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Rezension
Rocking the Closet : How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music / Stephens, Vincent L.. - Urbana: University of Illinois Press, 2019. - ISBN 978-0-252-04280-5

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ISO 690BLOOMFIELD, Jacob, 2022. Vincent L. Stephens: Rocking the Closet : How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music. In: Cultural History. Edinburgh University Press. 2022, 11(1), pp. 112-114. ISSN 2045-290X. eISSN 2045-2918. Available under: doi: 10.3366/cult.2022.0258
BibTex
@article{Bloomfield2022Vince-59291,
  year={2022},
  doi={10.3366/cult.2022.0258},
  title={Vincent L. Stephens: Rocking the Closet : How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music},
  number={1},
  volume={11},
  issn={2045-290X},
  journal={Cultural History},
  pages={112--114},
  author={Bloomfield, Jacob},
  note={Is Review}
}
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