Publikation: The (Artificial) Physicality of Creativity : How Embodiment Influences Perceptions of Creativity
Dateien
Datum
Autor:innen
Herausgeber:innen
ISSN der Zeitschrift
Electronic ISSN
ISBN
Bibliografische Daten
Verlag
Schriftenreihe
Auflagebezeichnung
Internationale Patentnummer
Angaben zur Forschungsförderung
Projekt
Open Access-Veröffentlichung
Sammlungen
Core Facility der Universität Konstanz
Titel in einer weiteren Sprache
Publikationstyp
Publikationsstatus
Erschienen in
Zusammenfassung
The generation of artifacts through computational creativity (CC) systems is hitting the headlines with increasing frequency. Although impressive, this paper will not focus on the outcomes achieved by these systems, but rather on a specific dimension of artistic processes: embodiment. I discuss the results of a recent factorial survey study aimed at testing the influence that embodiment has on the evaluation of creativity. These findings show that the physical dimension of artificial systems interacting with human artists contributes to the perception of the interplay between artificial and human agents as a creative collaboration. I propose that a closer study of the dynamics of interaction between embodied machines, human artists, and the public can facilitate progress in both the artistic and the technology sector.
Zusammenfassung in einer weiteren Sprache
Fachgebiet (DDC)
Schlagwörter
Konferenz
Rezension
Zitieren
ISO 690
MORUZZI, Caterina, 2022. The (Artificial) Physicality of Creativity : How Embodiment Influences Perceptions of Creativity. 13th International Conference on Computational Creativity, ICCC'22. Bozen, 27. Juni 2022 - 1. Juli 2022. In: Proceedings of the 13th International Conference on Computational Creativity, ICCC'22. 2022BibTex
@inproceedings{Moruzzi2022Artif-57917, year={2022}, title={The (Artificial) Physicality of Creativity : How Embodiment Influences Perceptions of Creativity}, url={https://computationalcreativity.net/iccc22/wp-content/uploads/2022/06/ICCC-2022_8L_Moruzzi.pdf}, booktitle={Proceedings of the 13th International Conference on Computational Creativity, ICCC'22}, author={Moruzzi, Caterina} }
RDF
<rdf:RDF xmlns:dcterms="http://purl.org/dc/terms/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:bibo="http://purl.org/ontology/bibo/" xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:void="http://rdfs.org/ns/void#" xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/57917"> <dcterms:rights rdf:resource="https://rightsstatements.org/page/InC/1.0/"/> <dcterms:abstract xml:lang="eng">The generation of artifacts through computational creativity (CC) systems is hitting the headlines with increasing frequency. Although impressive, this paper will not focus on the outcomes achieved by these systems, but rather on a specific dimension of artistic processes: embodiment. I discuss the results of a recent factorial survey study aimed at testing the influence that embodiment has on the evaluation of creativity. These findings show that the physical dimension of artificial systems interacting with human artists contributes to the perception of the interplay between artificial and human agents as a creative collaboration. I propose that a closer study of the dynamics of interaction between embodied machines, human artists, and the public can facilitate progress in both the artistic and the technology sector.</dcterms:abstract> <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2022-07-04T06:53:15Z</dcterms:available> <dc:language>eng</dc:language> <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/40"/> <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/> <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2022-07-04T06:53:15Z</dc:date> <dc:contributor>Moruzzi, Caterina</dc:contributor> <dcterms:issued>2022</dcterms:issued> <foaf:homepage rdf:resource="http://localhost:8080/"/> <dc:creator>Moruzzi, Caterina</dc:creator> <bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/57917"/> <dcterms:title>The (Artificial) Physicality of Creativity : How Embodiment Influences Perceptions of Creativity</dcterms:title> <dc:rights>terms-of-use</dc:rights> <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/40"/> </rdf:Description> </rdf:RDF>