@article{FigueroaDreher2012Uncer-26088,
  year={2012},
  title={Uncertainty as a Creative Principle in Free Jazz Improvising},
  number={2},
  journal={Kunsttexte de : kritische Texte und Bilder zur Geschichte der Kunst},
  author={Figueroa-Dreher, Silvana},
  note={http://edoc.hu-berlin.de/kunsttexte/2012-2/figueroa-dreher-silvana-k.-2/PDF/figueroa-dreher.pdf<br /><br />letzter Zugriff am 31.01.2014}
}

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    <dcterms:abstract xml:lang="eng">A significant part of the work of orchestras that interpret composed music is aimed at optimizing the coordination of activities between different musicians by means of time-consuming rehearsals, in order to reduce the degree of contingency of their performances to a minimum and thus to remain loyal to the musical composition, whose score has already been largely defined. However, in the case of free jazz we are confronted with a phenomenon, which counteracts this pursuit of certainty because it deliberately produces uncertainty, thereby stimulating the musicians’ artistic productivity. By looking at the example of free jazz improvisation, I wish to tie two central topics in sociology into the following reflections: the structure of human action and the mutual coordination of action. Using these topics I will analyze certain aspects with regard to the contingency within a specific type of human action – improvising – and with regard to the related interactions. These aspects have received little attention in the empirical research until now.</dcterms:abstract>
    <dc:contributor>Figueroa-Dreher, Silvana</dc:contributor>
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