Uncertainty as a Creative Principle in Free Jazz Improvising
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A significant part of the work of orchestras that interpret composed music is aimed at optimizing the coordination of activities between different musicians by means of time-consuming rehearsals, in order to reduce the degree of contingency of their performances to a minimum and thus to remain loyal to the musical composition, whose score has already been largely defined. However, in the case of free jazz we are confronted with a phenomenon, which counteracts this pursuit of certainty because it deliberately produces uncertainty, thereby stimulating the musicians’ artistic productivity. By looking at the example of free jazz improvisation, I wish to tie two central topics in sociology into the following reflections: the structure of human action and the mutual coordination of action. Using these topics I will analyze certain aspects with regard to the contingency within a specific type of human action – improvising – and with regard to the related interactions. These aspects have received little attention in the empirical research until now.
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FIGUEROA-DREHER, Silvana, 2012. Uncertainty as a Creative Principle in Free Jazz Improvising. In: Kunsttexte de : kritische Texte und Bilder zur Geschichte der Kunst. 2012(2). eISSN 1618-8101BibTex
@article{FigueroaDreher2012Uncer-26088, year={2012}, title={Uncertainty as a Creative Principle in Free Jazz Improvising}, number={2}, journal={Kunsttexte de : kritische Texte und Bilder zur Geschichte der Kunst}, author={Figueroa-Dreher, Silvana}, note={http://edoc.hu-berlin.de/kunsttexte/2012-2/figueroa-dreher-silvana-k.-2/PDF/figueroa-dreher.pdf<br /><br />letzter Zugriff am 31.01.2014} }
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letzter Zugriff am 31.01.2014