Migrant Deaths and European Revenants in Thomas Köck’s 'antigone. a requiem' (2019) : Sophocles’ Tragedy Recomposed and Decomposed

Vorschaubild nicht verfügbar
Dateien
Zu diesem Dokument gibt es keine Dateien.
Datum
2022
Autor:innen
Herausgeber:innen
Kontakt
ISSN der Zeitschrift
eISSN
item.preview.dc.identifier.isbn
Bibliografische Daten
Verlag
Schriftenreihe
URI (zitierfähiger Link)
DOI (zitierfähiger Link)
ArXiv-ID
Internationale Patentnummer
EU-Projektnummer
Projekt
Open Access-Veröffentlichung
Gesperrt bis
Titel in einer weiteren Sprache
Forschungsvorhaben
Organisationseinheiten
Zeitschriftenheft
Publikationstyp
Zeitschriftenartikel
Publikationsstatus
Published
Erschienen in
Modern Drama ; 65 (2022), 4. - S. 547-570. - University of Toronto Press. - ISSN 0026-7694. - eISSN 1712-5286
Zusammenfassung
This article discusses antigone. a requiem (2019) by the Austrian playwright Thomas Köck as one of the latest contributions to a growing body of work that has engaged with Sophocles’ Antigone in light of current migration debates. Avoiding psychological realism in favour of postdramatic techniques, antigone. a requiem differs aesthetically from other recent revisions in that this tragedy-as-requiem does not primarily aim for the audience’s affective response. Inspired by Judith Butler’s theory of the spectral return of socially neglected, ungrievable lives, the play replaces Antigone’s unburied brother with corpses washed ashore on European beaches to question European migration policies through a critical assessment of Europe’s necropolitics. Formally recomposing Sophocles’ tragedy as a requiem with a distinct linguistic musicality, Köck’s play skilfully repurposes the funeral song shared by Sophocles’ Antigone and chorus and relocates Antigone’s anagnorisis to the chorus of contemporary Europeans who eventually recognize themselves in the dead. Köck’s requiem also decomposes its model, as it stages the undead as revenants who return to remind Europe of its history of colonization and exploitation, in which Sophocles’ Antigone was employed as a carrier of European values. In this respect, Köck’s recomposition also sings a requiem for Antigone itself.
Zusammenfassung in einer weiteren Sprache
Fachgebiet (DDC)
800 Literatur, Rhetorik, Literaturwissenschaft
Schlagwörter
Konferenz
Rezension
undefined / . - undefined, undefined. - (undefined; undefined)
Zitieren
ISO 690WALD, Christina, 2022. Migrant Deaths and European Revenants in Thomas Köck’s 'antigone. a requiem' (2019) : Sophocles’ Tragedy Recomposed and Decomposed. In: Modern Drama. University of Toronto Press. 65(4), pp. 547-570. ISSN 0026-7694. eISSN 1712-5286. Available under: doi: 10.3138/md-65-4-1216
BibTex
@article{Wald2022Migra-59880,
  year={2022},
  doi={10.3138/md-65-4-1216},
  title={Migrant Deaths and European Revenants in Thomas Köck’s 'antigone. a requiem' (2019) : Sophocles’ Tragedy Recomposed and Decomposed},
  number={4},
  volume={65},
  issn={0026-7694},
  journal={Modern Drama},
  pages={547--570},
  author={Wald, Christina}
}
RDF
<rdf:RDF
    xmlns:dcterms="http://purl.org/dc/terms/"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
    xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
    xmlns:bibo="http://purl.org/ontology/bibo/"
    xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#"
    xmlns:foaf="http://xmlns.com/foaf/0.1/"
    xmlns:void="http://rdfs.org/ns/void#"
    xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > 
  <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/59880">
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/>
    <dcterms:issued>2022</dcterms:issued>
    <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2023-01-23T10:21:35Z</dcterms:available>
    <bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/59880"/>
    <dc:creator>Wald, Christina</dc:creator>
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/48125"/>
    <dc:language>eng</dc:language>
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/48125"/>
    <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2023-01-23T10:21:35Z</dc:date>
    <dcterms:rights rdf:resource="https://rightsstatements.org/page/InC/1.0/"/>
    <dcterms:title>Migrant Deaths and European Revenants in Thomas Köck’s 'antigone. a requiem' (2019) : Sophocles’ Tragedy Recomposed and Decomposed</dcterms:title>
    <foaf:homepage rdf:resource="http://localhost:8080/"/>
    <dc:contributor>Wald, Christina</dc:contributor>
    <dcterms:abstract xml:lang="eng">This article discusses antigone. a requiem (2019) by the Austrian playwright Thomas Köck as one of the latest contributions to a growing body of work that has engaged with Sophocles’ Antigone in light of current migration debates. Avoiding psychological realism in favour of postdramatic techniques, antigone. a requiem differs aesthetically from other recent revisions in that this tragedy-as-requiem does not primarily aim for the audience’s affective response. Inspired by Judith Butler’s theory of the spectral return of socially neglected, ungrievable lives, the play replaces Antigone’s unburied brother with corpses washed ashore on European beaches to question European migration policies through a critical assessment of Europe’s necropolitics. Formally recomposing Sophocles’ tragedy as a requiem with a distinct linguistic musicality, Köck’s play skilfully repurposes the funeral song shared by Sophocles’ Antigone and chorus and relocates Antigone’s anagnorisis to the chorus of contemporary Europeans who eventually recognize themselves in the dead. Köck’s requiem also decomposes its model, as it stages the undead as revenants who return to remind Europe of its history of colonization and exploitation, in which Sophocles’ Antigone was employed as a carrier of European values. In this respect, Köck’s recomposition also sings a requiem for Antigone itself.</dcterms:abstract>
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dc:rights>terms-of-use</dc:rights>
  </rdf:Description>
</rdf:RDF>
Interner Vermerk
xmlui.Submission.submit.DescribeStep.inputForms.label.kops_note_fromSubmitter
Kontakt
URL der Originalveröffentl.
Prüfdatum der URL
Prüfungsdatum der Dissertation
Finanzierungsart
Kommentar zur Publikation
Allianzlizenz
Corresponding Authors der Uni Konstanz vorhanden
Internationale Co-Autor:innen
Universitätsbibliographie
Ja
Begutachtet
Ja