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The fertile ground of painting : seventeenth-century still lifes & nature pieces

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2020

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978-1-912554-06-5
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London: Harvey Miller Publishers

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Harvey Miller Studies in Baroque Art; 12

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Zusammenfassung

17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting more emphasis on the historical notions of Nature and Image. She examines how mimetic structures acquired a biotic reproductive capacity in the 17th century. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general.

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700 Künste, Bildende Kunst allgemein

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ISO 690LEONHARD, Karin, 2020. The fertile ground of painting : seventeenth-century still lifes & nature pieces. London: Harvey Miller Publishers. ISBN 978-1-912554-06-5
BibTex
@book{Leonhard2020ferti-67259,
  year={2020},
  isbn={978-1-912554-06-5},
  publisher={Harvey Miller Publishers},
  address={London},
  series={Harvey Miller Studies in Baroque Art},
  title={The fertile ground of painting : seventeenth-century still lifes & nature pieces},
  number={12},
  author={Leonhard, Karin}
}
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