Halftoning and stippling

Deussen, Oliver; Isenberg, Tobias

Halftoning and stippling

Files

Deussen_243887.pdf(1.84 MB)

Date

2013

Authors

Deussen, Oliver

Isenberg, Tobias

Publication type

Contribution to a collection

Published in

Image and Video-Based Artistic Stylisation / Rosin, Paul; Collomosse, John (ed.). - London : Springer London, 2013. - (Computational Imaging and Vision ; 42). - pp. 45-61. - ISBN 978-1-4471-4518-9

Abstract

One important origin of non-photorealistic computer graphics comes from printing technology. Halftoning is a reproduction technique for photography in printing. The continuous tones of the images are represented by fulltone dots of varying size, shape, and density. While printing technology brought this to perfection over time, computer graphics researchers developed methods that modified this process for artistic purposes. For purposes of halftoning, dots are distributed in repetitive patterns. Stippling, an artistic illustration technique, distributes them in a random but expressive way. Illustrators aim at representing tone and texture of an object by such patterns. Interestingly, the distributions can be described mathematically and a simple optimization scheme allows computers to imitate the artistic process quite well. The method can be extended towards distributing other shapes. In this case the optimization is extended to move and rotate the objects. This allows users not only to create other forms of illustrations but also to generate mosaics.

Subject (DDC)

004 Computer Science

Cite This

ISO 690

DEUSSEN, Oliver, Tobias ISENBERG, 2013. Halftoning and stippling. In: ROSIN, Paul, ed., John COLLOMOSSE, ed.. Image and Video-Based Artistic Stylisation. London:Springer London, pp. 45-61. ISBN 978-1-4471-4518-9. Available under: doi: 10.1007/978-1-4471-4519-6_3

BibTex

@incollection{Deussen2013Halft-24388,
  year={2013},
  doi={10.1007/978-1-4471-4519-6_3},
  title={Halftoning and stippling},
  number={42},
  isbn={978-1-4471-4518-9},
  publisher={Springer London},
  address={London},
  series={Computational Imaging and Vision},
  booktitle={Image and Video-Based Artistic Stylisation},
  pages={45--61},
  editor={Rosin, Paul and Collomosse, John},
  author={Deussen, Oliver and Isenberg, Tobias}
}

RDF

<rdf:RDF
    xmlns:dcterms="http://purl.org/dc/terms/"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
    xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
    xmlns:bibo="http://purl.org/ontology/bibo/"
    xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#"
    xmlns:foaf="http://xmlns.com/foaf/0.1/"
    xmlns:void="http://rdfs.org/ns/void#"
    xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > 
  <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/24388">
    <foaf:homepage rdf:resource="http://localhost:8080/"/>
    <dc:creator>Isenberg, Tobias</dc:creator>
    <dcterms:title>Halftoning and stippling</dcterms:title>
    <dspace:hasBitstream rdf:resource="https://kops.uni-konstanz.de/bitstream/123456789/24388/1/Deussen_243887.pdf"/>
    <dcterms:hasPart rdf:resource="https://kops.uni-konstanz.de/bitstream/123456789/24388/1/Deussen_243887.pdf"/>
    <dc:rights>terms-of-use</dc:rights>
    <dc:contributor>Deussen, Oliver</dc:contributor>
    <dc:creator>Deussen, Oliver</dc:creator>
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/36"/>
    <dcterms:bibliographicCitation>Image and Video based Artistic Stylisation / Paul Rosin ... (eds.). - London : Springer, 2013. - S. 45-61. - (Computational Imaging and Vision ; 42). - ISBN 978-1-447-14518-9</dcterms:bibliographicCitation>
    <dcterms:rights rdf:resource="https://rightsstatements.org/page/InC/1.0/"/>
    <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2013-09-16T13:15:59Z</dc:date>
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/36"/>
    <bibo:uri rdf:resource="http://kops.uni-konstanz.de/handle/123456789/24388"/>
    <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2014-04-30T22:25:05Z</dcterms:available>
    <dcterms:abstract xml:lang="eng">One important origin of non-photorealistic computer graphics comes from printing technology. Halftoning is a reproduction technique for photography in printing. The continuous tones of the images are represented by fulltone dots of varying size, shape, and density. While printing technology brought this to perfection over time, computer graphics researchers developed methods that modified this process for artistic purposes. For purposes of halftoning, dots are distributed in repetitive patterns. Stippling, an artistic illustration technique, distributes them in a random but expressive way. Illustrators aim at representing tone and texture of an object by such patterns. Interestingly, the distributions can be described mathematically and a simple optimization scheme allows computers to imitate the artistic process quite well. The method can be extended towards distributing other shapes. In this case the optimization is extended to move and rotate the objects. This allows users not only to create other forms of illustrations but also to generate mosaics.</dcterms:abstract>
    <dcterms:issued>2013</dcterms:issued>
    <dc:language>eng</dc:language>
    <dc:contributor>Isenberg, Tobias</dc:contributor>
    <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/>
  </rdf:Description>
</rdf:RDF>

Bibliography of Konstanz

Yes