Publikation:

The Usual Suspects : Jewish Magical Realism, Trauma and the Holocaust

Vorschaubild

Dateien

Zu diesem Dokument gibt es keine Dateien.

Datum

2013

Autor:innen

Herausgeber:innen

Kontakt

ISSN der Zeitschrift

Electronic ISSN

ISBN

Bibliografische Daten

Verlag

Schriftenreihe

Auflagebezeichnung

URI (zitierfähiger Link)
DOI (zitierfähiger Link)
https://doi.org/10.1515/9783110297201.210
ArXiv-ID

Internationale Patentnummer

Angaben zur Forschungsförderung

Projekt

Open Access-Veröffentlichung

Sammlungen

Literatur-, Kunst- und Medienwissenschaften: Publikationen
Core Facility der Universität Konstanz

Gesperrt bis

Titel in einer weiteren Sprache

Publikationstyp
Zeitschriftenartikel
Publikationsstatus
Published

Erschienen in

Symbolism. De Gruyter. 2013, 12/13, pp. 210-230. ISSN 1528-3623. eISSN 2195-5115. Available under: doi: 10.1515/9783110297201.210

Zusammenfassung

Jewish magical realism is often associated immediately with the historical trauma of the Holocaust. This article sets out to point to some of the problems and limitations such an interpretive approach may bring. After a reconsideration of the allegedly inherent subversive qualities of the mode and a discussion of its frequent association with trauma narratives, especially in the case of Jewish texts engaging with the Holocaust, the discussion will focus on two examples, Michael Chabon’s 'The Amazing Adventures of Kavalier & Clay' (2000) and Jonathan Safran Foer’s 'Everything Is Illuminated' (2002). The aim throughout is to caution against rashly reproducing familiar interpretive maneuvers, which may be in need of reassessment in face of recent fictions like the ones under discussion in this article.

Zusammenfassung in einer weiteren Sprache

Fachgebiet (DDC)
800 Literatur, Rhetorik, Literaturwissenschaft

Schlagwörter

Konferenz

Rezension
undefined / . - undefined, undefined

Forschungsvorhaben

Organisationseinheiten

Zeitschriftenheft

Verknüpfte Datensätze

Zitieren

ISO 690HUBER, Irmtraud, 2013. The Usual Suspects : Jewish Magical Realism, Trauma and the Holocaust. In: Symbolism. De Gruyter. 2013, 12/13, pp. 210-230. ISSN 1528-3623. eISSN 2195-5115. Available under: doi: 10.1515/9783110297201.210
BibTex
@article{Huber2013Usual-66484,
  year={2013},
  doi={10.1515/9783110297201.210},
  title={The Usual Suspects : Jewish Magical Realism, Trauma and the Holocaust},
  volume={12/13},
  issn={1528-3623},
  journal={Symbolism},
  pages={210--230},
  author={Huber, Irmtraud}
}
RDF
<rdf:RDF
    xmlns:dcterms="http://purl.org/dc/terms/"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
    xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
    xmlns:bibo="http://purl.org/ontology/bibo/"
    xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#"
    xmlns:foaf="http://xmlns.com/foaf/0.1/"
    xmlns:void="http://rdfs.org/ns/void#"
    xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > 
  <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/66484">
    <dcterms:issued>2013</dcterms:issued>
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dc:language>eng</dc:language>
    <foaf:homepage rdf:resource="http://localhost:8080/"/>
    <bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/66484"/>
    <dcterms:title>The Usual Suspects : Jewish Magical Realism, Trauma and the Holocaust</dcterms:title>
    <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2023-03-29T08:38:22Z</dc:date>
    <dc:creator>Huber, Irmtraud</dc:creator>
    <dcterms:abstract>Jewish magical realism is often associated immediately with the historical trauma of the Holocaust. This article sets out to point to some of the problems and limitations such an interpretive approach may bring. After a reconsideration of the allegedly inherent subversive qualities of the mode and a discussion of its frequent association with trauma narratives, especially in the case of Jewish texts engaging with the Holocaust, the discussion will focus on two examples, Michael Chabon’s 'The Amazing Adventures of Kavalier &amp; Clay' (2000) and Jonathan Safran Foer’s 'Everything Is Illuminated' (2002). The aim throughout is to caution against rashly reproducing familiar interpretive maneuvers, which may be in need of reassessment in face of recent fictions like the ones under discussion in this article.</dcterms:abstract>
    <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/>
    <dc:contributor>Huber, Irmtraud</dc:contributor>
    <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2023-03-29T08:38:22Z</dcterms:available>
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
  </rdf:Description>
</rdf:RDF>

Interner Vermerk

xmlui.Submission.submit.DescribeStep.inputForms.label.kops_note_fromSubmitter

Kontakt
URL der Originalveröffentl.

Prüfdatum der URL

Prüfungsdatum der Dissertation

Finanzierungsart

Kommentar zur Publikation

Allianzlizenz
Corresponding Authors der Uni Konstanz vorhanden
Internationale Co-Autor:innen
Universitätsbibliographie
Nein
Begutachtet
Unbekannt
Diese Publikation teilen