The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman"

Schäfer, Heike

The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman"

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Date

2013

Publication type

Contribution to a collection

Published in

Realisms in contemporary culture : theories, politics, and medial configurations / Birke, Dorothee et al. (ed.). - Berlin [u.a.] : De Gruyter, 2013. - (Linguae & litterae ; 21). - pp. 195-213. - ISBN 978-3-11-030751-1

Subject (DDC)

800 Literature, Rhetoric, Literary Science

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ISO 690

SCHÄFER, Heike, 2013. The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman". In: BIRKE, Dorothee, ed. and others. Realisms in contemporary culture : theories, politics, and medial configurations. Berlin [u.a.]:De Gruyter, pp. 195-213. ISBN 978-3-11-030751-1. Available under: doi: 10.1515/9783110312911.195

BibTex

@incollection{Schafer2013Parod-28561,
  year={2013},
  doi={10.1515/9783110312911.195},
  title={The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman"},
  number={21},
  isbn={978-3-11-030751-1},
  publisher={De Gruyter},
  address={Berlin [u.a.]},
  series={Linguae & litterae},
  booktitle={Realisms in contemporary culture : theories, politics, and medial configurations},
  pages={195--213},
  editor={Birke, Dorothee},
  author={Schäfer, Heike}
}

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