The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman"
The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman"
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2013
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Realisms in contemporary culture : theories, politics, and medial configurations / Birke, Dorothee et al. (ed.). - Berlin [u.a.] : De Gruyter, 2013. - (Linguae & litterae ; 21). - pp. 195-213. - ISBN 978-3-11-030751-1
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SCHÄFER, Heike, 2013. The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman". In: BIRKE, Dorothee, ed. and others. Realisms in contemporary culture : theories, politics, and medial configurations. Berlin [u.a.]:De Gruyter, pp. 195-213. ISBN 978-3-11-030751-1. Available under: doi: 10.1515/9783110312911.195BibTex
@incollection{Schafer2013Parod-28561, year={2013}, doi={10.1515/9783110312911.195}, title={The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman"}, number={21}, isbn={978-3-11-030751-1}, publisher={De Gruyter}, address={Berlin [u.a.]}, series={Linguae & litterae}, booktitle={Realisms in contemporary culture : theories, politics, and medial configurations}, pages={195--213}, editor={Birke, Dorothee}, author={Schäfer, Heike} }
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