The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman"

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2013
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Realisms in contemporary culture : theories, politics, and medial configurations / Birke, Dorothee et al. (ed.). - Berlin [u.a.] : De Gruyter, 2013. - (Linguae & litterae ; 21). - pp. 195-213. - ISBN 978-3-11-030751-1
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ISO 690SCHÄFER, Heike, 2013. The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman". In: BIRKE, Dorothee, ed. and others. Realisms in contemporary culture : theories, politics, and medial configurations. Berlin [u.a.]:De Gruyter, pp. 195-213. ISBN 978-3-11-030751-1. Available under: doi: 10.1515/9783110312911.195
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@incollection{Schafer2013Parod-28561,
  year={2013},
  doi={10.1515/9783110312911.195},
  title={The Parodic Play with Realist Aesthetics and Authenticity Claims in Cheryl Dunye's Black Queer Mockumentary "The Watermelon Woman"},
  number={21},
  isbn={978-3-11-030751-1},
  publisher={De Gruyter},
  address={Berlin [u.a.]},
  series={Linguae & litterae},
  booktitle={Realisms in contemporary culture : theories, politics, and medial configurations},
  pages={195--213},
  editor={Birke, Dorothee},
  author={Schäfer, Heike}
}
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