Publikation: Serial Shakespeare after the end of the world : From repetition compulsions to the romance of recycling in Station Eleven
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This article discusses the serial reactivation of Shakespeare’s plays in the complex television series Station Eleven (HBO 2021-22), based on the novel of the same title by Emily St. John Mandel. Set in a post-pandemic situation of apocalyptic proportions, Station Eleven turns King Lear, Hamlet and The Tempest (three plays that can themselves productively be read in a serial manner) into a forum for serially acting out and working though traumatic losses, both on an individual and on a collective level, and for developing models for future action that go beyond reiterating previous damages. Station Eleven’s generic fusion of Shakespearean tragedy, romance and (post-)apocalyptic fiction gradually gives way, via forms adapted from The Tempest, to a hopeful outlook that might aptly be described as a romance of creatively re-assembled leftovers. The article discusses the psychological, political, ecological and meta-adaptational significance of this romance of recycling.
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WALD, Christina, 2025. Serial Shakespeare after the end of the world : From repetition compulsions to the romance of recycling in Station Eleven. In: BRONFEN, Elisabeth, Hrsg., Christina WALD, Hrsg.. Shakespeare and Seriality : Page, Stage, Screen. London: Bloomsbury, 2025, S. 215-238. The Arden Shakespeare. ISBN 978-1-350-43726-5. Verfügbar unter: doi: 10.5040/9781350437296.0019BibTex
@incollection{Wald2025Seria-72398, title={Serial Shakespeare after the end of the world : From repetition compulsions to the romance of recycling in Station Eleven}, year={2025}, doi={10.5040/9781350437296.0019}, isbn={978-1-350-43726-5}, address={London}, publisher={Bloomsbury}, series={The Arden Shakespeare}, booktitle={Shakespeare and Seriality : Page, Stage, Screen}, pages={215--238}, editor={Bronfen, Elisabeth and Wald, Christina}, author={Wald, Christina} }
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